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Objetos de memória : entre imagem estática e imagem em movimento

2018-04-11Dissertação de mestrado Acesso aberto
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datacite.subject.fosArte Multimédia - (Especialização em Audiovisuais)pt_PT
dc.contributor.advisorSousa Dias, António
dc.contributor.authorSilva, Rogério Paulo da, 1962-
dc.date.accessioned2018-05-24T15:09:42Z
dc.date.available2018-05-24T15:09:42Z
dc.date.issued2018-04-11
dc.date.submitted2018-05-24
dc.descriptionAcompanha um DVD com 3 videos relativos ao Trabalho de Projeto: eraser river ; i remenber ; vanishing, apenas consultáveis na Biblioteca da FBAUL com a cota CDA 197 - ULBA018409pt_PT
dc.description.abstractObjects of Memory is a master's dissertation in Multimedia Art with a theoreticalpractical nature, which we analyze the concept of memory associated with the postcard’s object. Starting from the aggregation of dichotomous concepts such as memory / myth and Gestalt / narrative unit, we explore relationships based in a construction of the visuality having as resource the static image and the moving image, which intersection is made from the photography with the video. For an interpretation of the postcard and its artistic faculties as an object, we evoke the Mail Art approaching the use of postcards by the Fluxus Group and by artists such as Robert Filliou and Ray Johnson, who in the late 1950s used postcards as artistic objects to communicate with other artists around the world. Gathering the works of Alain Resnais, Chris Marker, Marcel Broodthaers, Orhan Pamuk and Óscar Muñoz, we observed possible relations with the concept of memory within the scope of the project, specifically the work methodology inserted in narrative and visual discourse. For the Objects of Memory final project, we have been developed three videos - Eraser River, Vanishing and I Remember - each one representing a postcard to be projected through a device. From the intersection of images we explored a working methodology that allowed to create visual events with the purpose of transforming theperception of the postcard as a whole. For this, we connected static images (photography) with images in motion (video) through the process of cut, collage and assembly to ensure a logical and perceptive speech in the body’s postcard. Although independent, each one of these videos tries to express the concept of object of memory preserving, in this way, a relation with images of the past which appear analogous to the transformation of a still image into a moving imagept_PT
dc.identifier.tid201896729pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/33647
dc.language.isoporpt_PT
dc.subjectSilva, Rogério Paulo da, 1962-pt_PT
dc.subjectFiliou, Robert, 1926-1987pt_PT
dc.subjectJohnson, Ray, 1927-1995pt_PT
dc.subjectResnais, Alain, 1922-2014pt_PT
dc.subjectMarker, Chris, 1921-pt_PT
dc.subjectBroodthaers, Marcel, 1924-1976pt_PT
dc.subjectPamuk, Orhan, 1952-pt_PT
dc.subjectMuñoz, Oscar, 1951-pt_PT
dc.subjectGoya, Francisco de, 1746-1828pt_PT
dc.subjectPatinir, Joachim, 1480-1524pt_PT
dc.subjectStanhope, John Roddam Spencer, 1829-1908pt_PT
dc.subjectMaciunas, Georgept_PT
dc.subjectWatts, Robert J., 1923-1988pt_PT
dc.subjectCalvet, Carlos, 1928-2014pt_PT
dc.subjectCesariny, Mário, 1923-2006pt_PT
dc.subjectGrupo Fluxos (Grupo de artistas)pt_PT
dc.subjectArte postalpt_PT
dc.subjectFotografiapt_PT
dc.subjectMemóriapt_PT
dc.subjectNarrativapt_PT
dc.subjectVídeopt_PT
dc.subjectMitopt_PT
dc.subjectSublimept_PT
dc.titleObjetos de memória : entre imagem estática e imagem em movimentopt_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameTese de mestrado, Arte Multimédia - (Especialização em Audiovisuais), Universidade de Lisboa, Faculdade de Belas Artes, 2018pt_PT

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