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Entre imagens e bases de dados: percursos e poéticas possíveis
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This project reflects on the practical and theoretical developments of the research Between images and databases: possible paths and poetics deepened in the master's degree in Multimedia Art at the Faculty of Fine Arts, University of Lisbon. This exploratory research within the scope of an investigation in the arts, analyses the relationship between images and databases by contrasting concepts and writings of authors with authorial and non-authorial works of art. The research seeks, finally, to reflect on the role of the image in the condition of poetic, political and economic actor within the context in which we live and on how artistic works can help us in this task. The proposed practical project aims to consolidate knowledge at the intersection between different means of creation and artistic production. A transdisciplinary universe was called up, making it stand out for the dialogue between the different areas involved, such as painting, video and digital media, thus proposing new discourses and poetics about our days. Analysing the spaces occupied by this global set of images, some questions become necessary. How can we relate the impact in the most diverse spheres in which the relationship between images and database interferes, such as the social, economic, political and financial spheres, with the advancement of access and the dispersion of these images? What is the relationship between this global image database and the new relations of power, contemporary art production and image consumption? In this world that seems to be an endless and unstructured collection of images, texts and other image records, how can we rethink and develop a poetics, aesthetics and ethics of the image of our times? What are the implications of our relationship with this database, for our interpersonal, political and economic relationships? And its use within contemporary art? How can works of art question a changing reality, in which we are constantly changing and being changed as a database, upgradeable, manipulable and controlled by specific systems? How should we think about control and rights from an imaginary perspective, what were the major changes in the status of the image that directly affect these issues?
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Farocki, Harun, 1944- Mehretu, Julie, 1970- Lombardi, Mark, 1951- Imagens digitais Bases de dados Imagem técnica Interfaces Poética visual Estudos de caso