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Conversion or subversion: homosexuality on the portuguese stage in Estado Novo Portugal

dc.contributor.authorGombár, Zsófia
dc.date.accessioned2025-01-24T17:16:12Z
dc.date.embargo2026-01-01
dc.date.issued2025
dc.description.abstractThe chapter gives an overview of the general attitudes towards theatrical representations of homosexuality in Estado NovoPortugal. As in many other countries of the era, same-sex activity was a criminal offence, and therefore, any depiction of homosexual themes or characters on stage was prohibited according to the laws in force. The chapter discusses how censorship authorities systematically banned homosexual content and references on stage but also explores plays that dared to defy societal norms and gender conventions, intriguingly bypassing censorship. The chapter seeks to answer whether theatre practitioners included these polemical plays in their repertoire in order to bravely address homosexuality as a subject matter such as in the case of Peter Shaffer’s Five Finger Exercise in the Teatro Estúdio de Lisboa founded by lesbian couple Luzia Maria Martins and Helena Félix (1966) or the plays were stripped off their central theme so as to be approved by the censors, as it happened with Cat on a Hot Tin Roof by Tennessee Williams on the Portuguese stage in 1959.pt_PT
dc.description.sponsorshipThis work has been funded by national funds through the Portuguese funding agency FCT – Fundação para a Ciência e a Tecnologia, I.P. within the framework of the projects UIDB/00114/2020 and UIDP/00114/2020pt_PT
dc.description.versioninfo:eu-repo/semantics/acceptedVersionpt_PT
dc.identifier.citationGombár, Z. (2025). Conversion or Subversion: Homosexuality on the Portuguese Stage in Estado Novo Portugal. In: Etienne, A., Saunders, G. (eds) The Palgrave Handbook of Theatre Censorship. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-67299-6_26pt_PT
dc.identifier.doihttps://doi.org/10.1007/978-3-031-67299-6_26
dc.identifier.isbn978-3-031-67298-9
dc.identifier.isbn978-3-031-67299-6
dc.identifier.urihttp://hdl.handle.net/10400.5/97743
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherPalgrave Macmillanpt_PT
dc.relationUniversity of Lisbon Centre for English Studies
dc.titleConversion or subversion: homosexuality on the portuguese stage in Estado Novo Portugalpt_PT
dc.typebook part
dspace.entity.typePublication
oaire.awardNumberUIDB/00114/2020
oaire.awardNumberUIDP/00114/2020
oaire.awardTitleUniversity of Lisbon Centre for English Studies
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/Concurso de avaliação no âmbito do Programa Plurianual de Financiamento de Unidades de I&D (2017%2F2018) - Financiamento Base/UIDB%2F00114%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00114%2F2020/PT
oaire.citation.conferencePlaceLondonpt_PT
oaire.citation.endPage453pt_PT
oaire.citation.startPage437pt_PT
oaire.citation.titleThe Palgrave Handbook of Theatre Censorshippt_PT
oaire.fundingStreamConcurso de avaliação no âmbito do Programa Plurianual de Financiamento de Unidades de I&D (2017/2018) - Financiamento Base
oaire.fundingStream6817 - DCRRNI ID
person.familyNameGombár
person.givenNameZsófia
person.identifier.ciencia-id581B-2FCF-7D1C
person.identifier.orcid0000-0002-8202-9928
person.identifier.ridV-3256-2017
person.identifier.scopus-author-id57161007800
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.embargofctÉ um capítulo de um livro.pt_PT
rcaap.rightsembargoedAccesspt_PT
rcaap.typebookPartpt_PT
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