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A apologia do objeto : experimentação e inovação formal na escultura modernista

datacite.subject.fosHumanidades::Artespt_PT
dc.contributor.advisorTeixeira, José Manuel da Silva
dc.contributor.authorRosa, Ana Sofia da Cunha
dc.date.accessioned2022-05-25T17:03:30Z
dc.date.available2022-05-25T17:03:30Z
dc.date.issued2022-05-18
dc.description.abstractThe present dissertation seeks to approach the object as a relevant element and concept for the transformation of the sculptural tradition, which takes place mainly in the first half of the 20th century. In this period, Sculpture is subjected to an analysis of its meanings and conceptions and a radical change in the artistic panorama is transmitted. Thus, the proposed study intends to relate the expression of the object with the artistic attitude, which questions and develops the conventional typologies and characteristics, in order to solve threedimensionally a new sense of sculpture. We can observe that, in this avant-garde context, the appearance of the object appears as an alternative motif to the naturalism of the figure, which culminates in new sculptural results and in its expressive coincidence with representative processes that assume abstraction. In this way, it is intended to understand the object as a means of revolutionary proposals, which potentiate the development of the representative paradigm of Sculpture, as a pretext for formal experimentation and, consequently, na innovation of its meanings and concepts.pt_PT
dc.identifier.tid203012127pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/53180
dc.language.isoporpt_PT
dc.subjectEsculturapt_PT
dc.subjectExperimentaçãopt_PT
dc.subjectInovaçãopt_PT
dc.subjectObjectospt_PT
dc.subjectModernismopt_PT
dc.subjectSurrealismopt_PT
dc.titleA apologia do objeto : experimentação e inovação formal na escultura modernistapt_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameDissertação de Mestrado em Escultura, Universidade de Lisboa, Faculdade de Belas Artes, 2022pt_PT

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