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Múltipla singularidade: a pintura e o corpo
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The present dissertation aims to develop an idea of Identity as a Multiple Singularity to investigate as conceptual and plastic aesthetic concerns of my artistic work. Multiple singularity: a painting and the body is the motto for an investigation into the multiplicity of the singular self and the strangeness that this multiplicity causes. It is intended to analyze the existence of this type of multiple self in the contemporary artistic context, taking into account a cross-sectional view that goes not only through painting, but also through photography, literature and video, approaching parallel to the concept of patheticus, of unheimlich and the idea of double. The importance of the body as an instrument in my artistic work is affirmed, where there is a materialization of this self in a fragmented self made real through painting and drawing. The body as an expressive medium, which ceases to have identity and in movement, seems to have constituted itself as a central "object" of analysis, being registered its (dis) balance, its oscillation, its instability, in short, its choreography to the camera. Therefore, the central object of this study will be constituted by the performative body and the projection of its image in the space of painting and drawing.The question is also explored that, when under the influence of the artistic disposition, the artist assumes an apparently passive position (instrument), listening to a kind of double, to his other self forgetting about himself. Forgetting yourself awakening the voice of the unknown is the moment of doing, the moment of creation. This is the moment when vitality of pictorial creation overlaps with any established identity and of the oblivion of identity. It is the moment when the self breaks free of itself, forgets itself to let another's voice be heard. Therefore, the artistic construction the composition of a painting is unforeseen and, therefore, foreign to the one who does it (as if the deed did not belong to him).
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Almeida, Helena, 1934-2018 Molder, Jorge, 1947- Woodman, Francesca, 1958-1981 Mikhailov, Boris Lassnig, Maria, 1919- Bonnard, Pierre, 1867-1947 Shishkin, Dasha, 1977- Pintura Identidade Desenho Corpo Arte da performance Mediunico Estranheza