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Esta tese de natureza artística, inscreve-se no doutoramento na especialidade de Audiovi-suais na Faculdade de Belas-Artes da Universidade de Lisboa. A tese integra três documentos: um catálogo, um DVD e um argumento. O catálogo é a memória da exposição que teve lugar no Museu de Serralves, entre os dias 12 de Julho e 29 de Setembro de 2013. Esta exposição era um dispositivo visível em dois estados energéticos que se alternavam, criando uma diferença de potencial. O DVD integra vistas desta exposição. O argumento, que corresponde a uma estrutura mental ressonante, desenvolve-se como uma narrativa que agrega um pensamento artístico, literário, teórico e científico indissociável das obras apresentadas no texto e cujos títulos introduzem os diferentes capítulos. Este argumento é precedido de uma introdução que anuncia o processo subjacente à criação dos trabalhos na exposição e é seguido de uma conclusão que relança o debate em torno do papel do artista e do conceito da arte enquanto um domínio de investigação no contexto das academias e escolas de arte. Este argumento segue uma narrativa tangencial que não compromete a autonomia existencial do objecto artístico. A obra de arte não se explica e não a explicamos. A obra de arte sente-se e sentimo-la, e inversamente, nada mais. E isto é uma das suas superiorida¬des evidentes, uma prova absoluta da sua beleza um dos seus admiráveis privilégios, que palavras e comentários nada podem acrescentar e que arriscam, ao interferir, alterar a emoção simples e silenciosa (...). Octave Mirbeau, 1990: 259.
This thesis of artistic nature, is part of a PhD in Audiovisual Studies at the Faculty of Fine Arts of the University of Lisbon. The thesis includes three documents: a catalog, a DVD and a dissertation. The catalog is the memory of the exhibition that took place at the Serralves Museum from July 12 to September 29, 2013. This exhibition was a device that presented itself in two alternating energetic states, thus creating a potential difference. The DVD includes views of this exhibition. The dissertation corresponds to a resonant mental structure. It develops as a nar¬rative that binds an artistic, literary, theoretical and scientific thought that is inseparable from the artworks presented in the text and whose titles introduce the different chapters. This dissertation is preceded by an introduction that announces the process un¬derlying the making of the works in the exhibition, and is followed by a conclusion that restarts the debate on the role of the artist and the concept of art as a domain for research in the context of art schools and academies. The dissertation is a tangential narrative which doesn’t compromise the existential autonomy of the art object. The work of art cannot be explained and we don’t explain it. The artwork can be felt and we feel it and, conversely, nothing else. And this is one of its obvious superiorities, an absolute proof of its beauty and one of its ad¬mirable privileges, that words and comments can add nothing to and that by interfering risk altering the simple and silent emotion (...). Octave Mirabeau, 1990: 259.
This thesis of artistic nature, is part of a PhD in Audiovisual Studies at the Faculty of Fine Arts of the University of Lisbon. The thesis includes three documents: a catalog, a DVD and a dissertation. The catalog is the memory of the exhibition that took place at the Serralves Museum from July 12 to September 29, 2013. This exhibition was a device that presented itself in two alternating energetic states, thus creating a potential difference. The DVD includes views of this exhibition. The dissertation corresponds to a resonant mental structure. It develops as a nar¬rative that binds an artistic, literary, theoretical and scientific thought that is inseparable from the artworks presented in the text and whose titles introduce the different chapters. This dissertation is preceded by an introduction that announces the process un¬derlying the making of the works in the exhibition, and is followed by a conclusion that restarts the debate on the role of the artist and the concept of art as a domain for research in the context of art schools and academies. The dissertation is a tangential narrative which doesn’t compromise the existential autonomy of the art object. The work of art cannot be explained and we don’t explain it. The artwork can be felt and we feel it and, conversely, nothing else. And this is one of its obvious superiorities, an absolute proof of its beauty and one of its ad¬mirable privileges, that words and comments can add nothing to and that by interfering risk altering the simple and silent emotion (...). Octave Mirabeau, 1990: 259.
Descrição
Tese de doutoramento, Belas-Artes (Audiovisuais), Universidade de Lisboa, Faculdade de Belas-Artes, 2016
Palavras-chave
Teses de doutoramento - 2016 Arte Arte vídeo Energia Narrativas Exposições