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Authors
Abstract(s)
A constatação de que a metamorfose operada na vida social da olaria pedrada de Nisa conduz, inexoravelmente, para a sua extinção, justifica a urgência do estudo deste importante património cultural material e imaterial.
Por meio de uma metodologia projectual de design com recurso a metodologias participativas e processos colaborativos, aliados ao uso de ferramentas de análise e estudo das ciências sociais, tais como a antropologia e a etnografia, considerámos, num primeiro momento, contribuir para o inadiável esforço de salvaguarda, estudando algumas peças de olaria pedrada de Nisa pertencentes a colecções particulares existentes no concelho de Nisa e a dois museus nacionais – o Museu Nacional de Etnologia e Museu de Arte Popular – a fim de constituir a sua biografia social para, num segundo plano, considerar essa produção no contexto disciplinar do design.
Na presente investigação entendemos que a reflexão sobre a possibilidade de transpor algumas das características da olaria pedrada de Nisa e (re)estabelecer nexos de continuidade, por meio da criação de plataformas colaborativas entre a Academia e os artesãos da olaria pedrada de Nisa, ainda no activo, através de uma prática disciplinar de design que permitirá redinamizar este património cultural em particular e assim criar novos caminhos para o futuro. Com base neste processo, o propósito último da presente investigação, que consistiu na produção e posterior validação de workshops no terreno -enquanto ferramenta de análise de interacção – entre designers, artesãos e meio académico, visa a criação de um modelo de interacção, seguindo uma abordagem de design colaborativo, entre o ensino em design e os artesãos e a comunidade locais, passível de ser replicado em contextos similares, contribuindo activamente para a protecção deste património cultural imaterial na contemporaneidade.
The proving that the metamorphosis operated in the social life of Nisa's quartz inlaid pottery inexorably leads to its extinction, justifies the urgency of studying this important immaterial cultural heritage. Through a design methodology of design, using participatory methodologies and collaborative processes, allied to the use of the social sciences analysis and study tools, such as anthropology and ethnography, we considered at first, to contribute to the urgent effort of safeguarding, by studying some artifacts of Nisa's quartz inlaid pottery belonging to private collections existing in Nisa district and two national museums (National Museum of Ethnology and Museum of Popular Art) in order to constitute their social biography; for in a second moment, to consider this production in the disciplinary context of design. In the present investigation, we understand that the reflection on the possibility of transposing some of the characteristics of Nisa's quartz inlaid pottery and (re)establishing nexus of continuity, through the creation of collaborative platforms between the academy and the artisan producers of Nisa's quartz inlaid pottery, still active, through disciplinary design practice; will make it possible to revitalize this particular cultural heritage and thus create new paths for the future. Based on this process, the ultimate purpose of the present investigation, which consisted in the production and subsequent validation of workshops in the field -as a tool for interaction analysis-, aimed at creating an interaction model, following a collaborative design approach, between design education, local artisans and local community, which aims be replicated in similar contexts, thus actively contributing to the protection of this intangible cultural heritage in contemporaneity.
The proving that the metamorphosis operated in the social life of Nisa's quartz inlaid pottery inexorably leads to its extinction, justifies the urgency of studying this important immaterial cultural heritage. Through a design methodology of design, using participatory methodologies and collaborative processes, allied to the use of the social sciences analysis and study tools, such as anthropology and ethnography, we considered at first, to contribute to the urgent effort of safeguarding, by studying some artifacts of Nisa's quartz inlaid pottery belonging to private collections existing in Nisa district and two national museums (National Museum of Ethnology and Museum of Popular Art) in order to constitute their social biography; for in a second moment, to consider this production in the disciplinary context of design. In the present investigation, we understand that the reflection on the possibility of transposing some of the characteristics of Nisa's quartz inlaid pottery and (re)establishing nexus of continuity, through the creation of collaborative platforms between the academy and the artisan producers of Nisa's quartz inlaid pottery, still active, through disciplinary design practice; will make it possible to revitalize this particular cultural heritage and thus create new paths for the future. Based on this process, the ultimate purpose of the present investigation, which consisted in the production and subsequent validation of workshops in the field -as a tool for interaction analysis-, aimed at creating an interaction model, following a collaborative design approach, between design education, local artisans and local community, which aims be replicated in similar contexts, thus actively contributing to the protection of this intangible cultural heritage in contemporaneity.
Description
Tese de doutoramento, Design, Universidade de Lisboa, Faculdade de Arquitetura, 2022
Keywords
Olaria Pedrada Nisa Artesanato Design Património Cultural Imaterial Design Colaborativo Nisa's quartz inlaid pottery Craftsmanship Imaterial Cultural Heritage Colaborative Design
Pedagogical Context
Citation
FRANCO, Ana Helena Luz Gonçalves Grácio Soares - Biografia Social da Olaria (em)Pedrada de Nisa: Contributos para a construção de um modelo colaborativo entre o design e o artesanato - Lisboa : FA, 2022. Tese de Doutoramento.
Publisher
Universidade de Lisboa, Faculdade de Arquitetura