Publication
Caraterização do indivíduo : retrato falado e desenhado - retrato robô
| datacite.subject.fos | Anatomia artística (Especialidade Desenho Anatómico) | pt_PT |
| dc.contributor.advisor | Costa, Henrique | |
| dc.contributor.author | Reis, Marisa Sofia da Costa, 1991- | |
| dc.date.accessioned | 2016-01-04T13:11:23Z | |
| dc.date.available | 2016-01-04T13:11:23Z | |
| dc.date.issued | 2015-12-11 | |
| dc.date.submitted | 2016-01-04 | |
| dc.description.abstract | Within the concept of Artistic Anatomy, there’s the Anatomical Drawing. This is considered throughout the design that is faithful to the body or any specific part of it. In this case it’s a part of the human body: the face. The face is an essential element of the human body for identification. The human being know the other squarely across his face, notably through the elements contained in there. This act of recognizing and know dictate the other’s facial elements, is the principal characteristic of composite sketch, hence it’s more right definition be: dictate’s portrait and drawn. Typically nowadays, this type of work is essentially directs to the field of forensics, like a means of research but not like an evidence. With the evolution of technology and working methods, the composite sketch has evolved in its design since the row markers to the digital drawing that is currently used. With this, not only the work of portraiture became easier as well as the testimony of the respondent. Will be visible the approach of the real model depending of the various methods used. Will be disposed examples of varied situations, so that it is noticeable the constraints of a composite sketch interview. Each one can last 1, 2 or even 8 hours of interview, according to the expert's composite sketch of the Judicial Police in Lisbon, the constraints of being a witness, victim, child and the type of crime, leads this process. The Anatomy Art is constantly aggregate to this subject in so far as is important to know the skull, their muscles and how each is comprised in each phenotype. Here the reference of the artists: Karen T. Taylor and Stephen Mancusi will be important, is where will demonstrate through their work as seen in other countries. After completing this part of the work, at some point, in parallel with the internship at Judicial Police in Lisbon, there was a closeness with profile cases in the media, such as the “Telheiras’s Violator " and "Maddie’s case", which will be described and illustrated. This being a theme inserted in criminal area, it is pertinent to address other methods of human identification and how it has developed over the ages, addressing names like: Cesare Lombroso, Alphonse Bertillon and Francis Galton | pt_PT |
| dc.identifier.tid | 201467216 | |
| dc.identifier.uri | http://hdl.handle.net/10451/22247 | |
| dc.language.iso | por | pt_PT |
| dc.subject | Identificação | pt_PT |
| dc.subject | Caracterização | pt_PT |
| dc.subject | Anatomia | pt_PT |
| dc.subject | Face | pt_PT |
| dc.subject | Retrato | pt_PT |
| dc.subject | Criminalística | pt_PT |
| dc.title | Caraterização do indivíduo : retrato falado e desenhado - retrato robô | pt_PT |
| dc.type | master thesis | |
| dspace.entity.type | Publication | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | masterThesis | pt_PT |
| thesis.degree.name | Tese de mestrado, Anatomia artística (Especialidade Desenho Anatómico), Universidade de Lisboa, Faculdade de Belas Artes, 2015 | pt_PT |
Files
License bundle
1 - 1 of 1
No Thumbnail Available
- Name:
- license.txt
- Size:
- 1.2 KB
- Format:
- Item-specific license agreed upon to submission
- Description: