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A terceira margem da rua
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Resumo(s)
Essa dissertação procura estudar as narrativas culturais originadas a partir da
experienciação dos criadores nas ruas e nos seus espaços públicos derivados. O
estudo foca a relação desse criador moderno com a própria cidade, entendendo-a
como território e, nesse âmbito, todas as suas vertentes e possibilidades: A rua vista
como labirinto e como terreiro. A cidade, e suas ruas assumem uma visão
metafórica do próprio processo criativo, somando-se a isso a concepção de espaços
enquanto rituais. Tal complexidade em que as ruas se dinamizam levam o criador a
se ver diante de possibilidades de transgressões ao contar uma história. Frente a
encruzilhada, o criador consegue, a partir da vivência e das complexidades das ruas,
deslocar padrões, subverter ordens, promovendo assim, uma Síncopa Narrativa.
Através do conceito musical da síncopa, propomos um paralelo com os processos
criativos nos quais, através da ideia dos deslocamentos temáticos, se desenvolvem
histórias que atingem uma terceira margem, o que buscamos nesse trabalho, o
alcance à “Terceira Margem da Rua”.
This dissertation aspires to study the cultural narratives tá on the streets and their derivative public spaces. The study centers around the relationship between this modern author with the city itself, understanding it as territory and, within this scope, as all their courses and possibilities. The street as a labyrinth and shrine. The city and its streets embody a metaphorical insight of the creative process itself, conjoined to the notion of spaces as rites. That complexity in which the streets gain dynamism take the author to look at self in front of transgressive possibilities of storytelling. Facing a crossroad, from the experience and intricacy of the streets, the author can displace patterns and subvert arrangements, thereby promoting a Narrative Syncope. Through the musical concept of syncope, this thesis suggests a parallel point of view to the creative process in which, from the notion of thematic displacement, stories evolve and achieve a third bank, what we look for in this work, the reach of “The Third Bank of the Street”.
This dissertation aspires to study the cultural narratives tá on the streets and their derivative public spaces. The study centers around the relationship between this modern author with the city itself, understanding it as territory and, within this scope, as all their courses and possibilities. The street as a labyrinth and shrine. The city and its streets embody a metaphorical insight of the creative process itself, conjoined to the notion of spaces as rites. That complexity in which the streets gain dynamism take the author to look at self in front of transgressive possibilities of storytelling. Facing a crossroad, from the experience and intricacy of the streets, the author can displace patterns and subvert arrangements, thereby promoting a Narrative Syncope. Through the musical concept of syncope, this thesis suggests a parallel point of view to the creative process in which, from the notion of thematic displacement, stories evolve and achieve a third bank, what we look for in this work, the reach of “The Third Bank of the Street”.
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Palavras-chave
Ruas Criação (Estética) Teses de mestrado - 2018