Choreographing as doing historiography. The representation of 1980’s New York in Trisha Brown’s Set and Reset (1983)

Montesi, Vanessa

http://hdl.handle.net/10451/56078

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Autores

Montesi, Vanessa

Resumo(s)

In this paper, I offer an interpretation of Trisha Brown’s Set and Reset (1983) that focuses on the temporal structure of the choreography and unveils it as a representation of 1980’s New York. If, as Godfrey (2007) believes, the methodological freedom accorded to art permits it to find a language capable of representing reality in a way that differs from traditional historiography, then Set and Reset offers a perfect example of this alternative historiography and of dance as a means of accessing history in synchronic and synesthetic fashion.

Palavras-chave

choreography; historiography; Trisha Brown; postmodern dance; New York

URI

http://hdl.handle.net/10451/56078

Editora

UniorPress - Università degli Studi di Napoli l'Orientale

DOI

https://doi.org/10.6093/978-88-6719-213-7

Coleções

FL - CEComp - Comunicações

Licença CC

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