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The liquidscape of Mare Nostrum: Manoel de Oliveira and Banksy’s Mediterranean crossings

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dc.contributor.authorMendes, Ana Cristina
dc.date.accessioned2019-07-18T13:30:21Z
dc.date.available2019-07-18T13:30:21Z
dc.date.issued2019
dc.description.abstractThe Mediterranean Sea has never ceased to be of geopolitical strategic importance, but its presence in the mediascape has grown in prominence since 2010, in what has been labelled as the Mediterranean ‘crisis’. Drawing on an understanding of the Mediterranean Sea as a discursive space of political, economic and cultural identity conflicts, this article moves excursively from A Talking Picture (Um Filme Falado), a 2003 film directed and written by Portuguese filmmaker Manoel de Oliveira, to a composite photograph, unofficially attributed to Banksy, inspired by the refugee crisis in Europe, to examine representations of the postimperial liquidscapes of Mare Nostrum. Guided by these two film and graphic art texts, the article travels from the Mare Nostrum that corresponds to the liquidscapes of European civilization’s birth, as suggested by Oliveira’s work, to the Mare Nostrum that was the site of an eponymous military and humanitarian operation devised by the Italian government following the 2013 Lampedusa migrant shipwreck. As for the critical framework for scrutinizing these cross-media representations of liquidscapes, this article sets out to revisit Arjun Appadurai’s theorization for understanding global cultural flows, proposed almost three decades ago, arguing for the enduring topicality of the imaginary landscapes of scapes.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationMendes, AC. (2019) “The liquidscape of Mare Nostrum: Manoel de Oliveira and Banksy’s Mediterranean crossings”, Continuum: Journal of Media & Cultural Studies, 33, 1-15.pt_PT
dc.identifier.doi10.1080/10304312.2019.1642450pt_PT
dc.identifier.issn1030-4312
dc.identifier.urihttp://hdl.handle.net/10451/39175
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherTaylor & Francispt_PT
dc.relation.publisherversionhttps://www.tandfonline.com/doi/full/10.1080/10304312.2019.1642450pt_PT
dc.subjectOliveira, Manuel de, 1908-2015pt_PT
dc.subjectBanksy, pseud.pt_PT
dc.subjectCultural landscapespt_PT
dc.subjectMediterranean Seapt_PT
dc.subjectAppadurai, Arjun, 1949-pt_PT
dc.subjectRefugee studiespt_PT
dc.subjectCultural studiespt_PT
dc.subjectPostcolonial studiespt_PT
dc.subjectPortuguese empirept_PT
dc.subjectComparative studiespt_PT
dc.titleThe liquidscape of Mare Nostrum: Manoel de Oliveira and Banksy’s Mediterranean crossingspt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.conferencePlaceLondon and New Yorkpt_PT
oaire.citation.endPage15pt_PT
oaire.citation.startPage1pt_PT
oaire.citation.titleContinuumpt_PT
oaire.citation.volume33pt_PT
person.familyNameMendes
person.givenNameAna
person.identifier.ciencia-idD214-A7C9-8A02
person.identifier.orcid0000-0002-3596-0701
person.identifier.ridK-9981-2015
person.identifier.scopus-author-id36161897400
rcaap.rightsclosedAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublication9e8b97a6-733e-4183-aaf7-ac3bfa0674e9
relation.isAuthorOfPublication.latestForDiscovery9e8b97a6-733e-4183-aaf7-ac3bfa0674e9

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