Publicação
Vestígios do Antropoceno: os fenómenos da domesticação e extinção da natureza na arte contemporânea
| datacite.subject.fos | Humanidades::Artes | pt_PT |
| dc.contributor.advisor | Serra, Rui Alexandre Rosa Grincho | |
| dc.contributor.author | Costa, Tiago Miguel Rocha | |
| dc.date.accessioned | 2020-09-23T15:34:39Z | |
| dc.date.available | 2020-09-23T15:34:39Z | |
| dc.date.issued | 2020-09-14 | |
| dc.description.abstract | This artistic research project addresses the way in which the phenomena of domestication and extinction of nature manifest themselves in contemporary art, relating their main sub-jects to authors and works that critically reflect on them. Its relevance is related to some of the symptomatic issues of actuality, and can be framed in the broader field of the artistic practices around the Anthropocene – a scientific concept that, over the last decades, has motivated an inter and transdisciplinary debate. Among the main topics dealt with are the manipulation of nature, interspecies dynamics, death and creation, or institutional prac-tices – which reverberate in authors such as Gilles Aillaud (through Painting), Mark Dion (through Institutional Critique), or George Gessert (through Bioart). Due to the wide scope of the theme, the research extends itself beyond the artistic universe, importing references from natural sciences and anthropology that can contribute to a more informed artistic practice (which still intends to maintain its autonomy). Regarding this component of the project, a set of works in the areas of painting, sculpture and installation developed between 2018 and 2020 are presented, which approach (not exclusively) this subject mat-ter from a personal perspective. Although they do not behave as a series, these works dialogue with each other by revealing similar interests and formal strategies, being the result of the same creative impulse. | pt_PT |
| dc.identifier.tid | 202518604 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/44420 | |
| dc.language.iso | por | pt_PT |
| dc.subject | Aillaud, Gilles, 1928-2005 | pt_PT |
| dc.subject | Dion, Mark, 1961- | pt_PT |
| dc.subject | Gessert, George | pt_PT |
| dc.subject | Crutzen, Paul J. | pt_PT |
| dc.subject | Menezes, Marta de, 1975- | pt_PT |
| dc.subject | Kac, Eduardo, 1962- | pt_PT |
| dc.subject | Pintura | pt_PT |
| dc.subject | Arte contemporânea | pt_PT |
| dc.subject | Antropoceno | pt_PT |
| dc.subject | Natureza | pt_PT |
| dc.subject | Domesticação | pt_PT |
| dc.subject | Extinção (Biologia) | pt_PT |
| dc.subject | Bio-arte | pt_PT |
| dc.title | Vestígios do Antropoceno: os fenómenos da domesticação e extinção da natureza na arte contemporânea | pt_PT |
| dc.type | master thesis | |
| dspace.entity.type | Publication | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | masterThesis | pt_PT |
| thesis.degree.name | Dissertação de Mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2020 | pt_PT |