datacite.subject.fos	Humanidades::Artes	pt_PT
dc.contributor.advisor	Pereira, José Carlos Francisco
dc.contributor.author	Ferreira, Noemi Gutierrez Castanheira
dc.date.accessioned	2025-07-24T14:13:07Z
dc.date.available	2025-07-24T14:13:07Z
dc.date.issued	2025-06-11
dc.description.abstract	This dissertation intends to elaborate about the topic of Morality in Art. To consider this subject, we have chosen the author Paul Ricoeur and his body of thought as a starting point. In the same way, and since it is a very broad theme, we have chosen to focus on the twentieth century – where we understand there was a significant turning point regarding morality in the artistic expression. We will introduce the historical context that we considered important to underline, as well as highlight what precedes and follows Nieztsche's striking ideas that lead to a divine gap in the twentieth century. In order to articulate our considerations and look for a point of view that is closer to our experience regarding the aforementioned topics, we have adapted our reasoning, to three basic moments of the artistic creation process: conception, production and perception. We intend to make parallels between Ricoeur's thoughts about morality - largely based on the idea of human action - with these three moments of artistic praxis. At the same time, to relate this practice to the historical and artistic reality of the twentieth century. Finally, we will ponder upon the questions involved, and those that remain open, concerning the relation between morality and art, considering also the contemporary context.	pt_PT
dc.identifier.tid	203954661	pt_PT
dc.identifier.uri	http://hdl.handle.net/10400.5/102418
dc.language.iso	por	pt_PT
dc.subject	Arte	pt_PT
dc.subject	Moralidade	pt_PT
dc.subject	Ricoeur	pt_PT
dc.subject	Criação	pt_PT
dc.subject	Pensamento	pt_PT
dc.title	Arte e moralidade: em três momentos do processo criativo	pt_PT
dc.type	master thesis
dspace.entity.type	Publication
rcaap.rights	openAccess	pt_PT
rcaap.type	masterThesis	pt_PT
thesis.degree.name	Dissertação de Mestrado em Crítica, Curadoria e Teorias da Arte, Universidade de Lisboa, Faculdade de Belas Artes, 2024	pt_PT

Arte e moralidade: em três momentos do processo criativo

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