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As palavras, as coisas e o corpo: visão da materialidade na obra de Arnaldo Antunes
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Resumo(s)
Esta dissertação propõe-se lançar um olhar sobre a materialidade da e na obra de
Arnaldo Antunes, a partir de uma postura centrada na apreciação sensível das suas
criações, encaradas enquanto objetos artísticos. Deu-se ênfase ao trânsito por parte do
autor entre as mais variadas linguagens artísticas – música, poesia, vídeo, caligrafia, etc.
– enquanto meios para explorar os limites e as potencialidades da palavra poética. Ao
mesmo tempo, procurou-se delinear um perfil temático da materialidade através da
observação e do corpo a corpo com a obra de Antunes. A nossa análise dividiu-se em
três grandes áreas temáticas, que remetem cada uma para as outras duas, num
movimento circular que tenta dar conta do contexto temático no qual a obra de Arnaldo
Antunes se situa. Os três segmentos desta dissertação são “As palavras”, no qual se
discute a materialidade da linguagem poética e a sua manifestação física; “As coisas”,
dedicado à observação da alteridade ontológica dos objetos do mundo; e “O corpo”, no
qual é examinada a realidade primeiramente corpórea do ser humano e da sua
subjetividade.
Abstract: This dissertation aims at casting a glance over the materiality of and in the work of Arnaldo Antunes, from a critical standpoint centered on sensory fruition of his creations, regarded as art objects. Emphasis was given to the variety of artistic forms explored by the author – music, poetry, video, calligraphy, etc. – as an investigation of the limits and the potential of the poetic word. At the same time, we tried to shape a thematic profile of the materiality through observation and direct approach with Antunes’ works. Our analysis is divided into three major subject areas that refer to each of the other two, in a circular motion that attempts to account for the thematic context in which the work of Arnaldo Antunes dwells. The three sections of this dissertation are: “The words”, in which the materiality of poetic language and its physical manifestation is discussed; “The things”, dedicated to the observation of the ontological otherness of the world’s objects; and “The body”, in which the corporeal reality of the human being and of their subjectivity is examined.
Abstract: This dissertation aims at casting a glance over the materiality of and in the work of Arnaldo Antunes, from a critical standpoint centered on sensory fruition of his creations, regarded as art objects. Emphasis was given to the variety of artistic forms explored by the author – music, poetry, video, calligraphy, etc. – as an investigation of the limits and the potential of the poetic word. At the same time, we tried to shape a thematic profile of the materiality through observation and direct approach with Antunes’ works. Our analysis is divided into three major subject areas that refer to each of the other two, in a circular motion that attempts to account for the thematic context in which the work of Arnaldo Antunes dwells. The three sections of this dissertation are: “The words”, in which the materiality of poetic language and its physical manifestation is discussed; “The things”, dedicated to the observation of the ontological otherness of the world’s objects; and “The body”, in which the corporeal reality of the human being and of their subjectivity is examined.
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Palavras-chave
Antunes, Arnaldo, 1960 - Crítica e interpretação Poesia brasileira - séc.20-21 - História e crítica Música - Brasil - séc.20-21 - História e crítica Teses de mestrado - 2014