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La inscripción latina del túmulo de Luís da Silveira: una auto-imagen sub specie aeternitatis
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Estas páginas estudian el sentido y contexto de la inscripción en letra humanística del sepulcro de Luís da Silveira (1483-1534), en la capilla familiar de la Iglesia Matriz de Góis (Coimbra),
inscripción presente en un libro esculpido abierto frente a la efigie del difunto en posición orante de
rodillas y que aquí se edita. Se observa la relación, iconográfica y gráfica, del libro-escultura con los
Libros de Horas, aun cuando esta inscripción se presenta con grafía a la antica. Por otro lado, se señalan
ciertas afinidades con los sepulcros renacentistas italianos y peninsulares, en particular el sepulcro del
llamado Doncel de Sigüenza. Además, se explica en qué medida la grafía a la antica responde a la
educación humanística de Silveira en la corte de D. Manuel, y cómo la localización en Góis se ajusta
al alejamiento de la corte al final de su vida.
This paper provides an edition —and studies the meaning and context— of the humanistic inscription visible in the tomb of Luís da Silveira (1483-1534), in the family chapel (Góis, Coimbra), engraved on a book that reads the kneeling down effigy of the deceased. It argues the relationship of this sculptured book with the Books of Hours, despite the humanistic shape of the inscription’s script. Some affinities with other Italian and Peninsular Renaissance tombs are explored too, in particular the tomb of the so-called ‘Doncel of Sigüenza’. In addition, it is explained how the humanistic script of this inscription refers to Silveira’s education in the court of D. Manuel, and how the location in Góis responds to the withdrawal from the court at the end of his life.
This paper provides an edition —and studies the meaning and context— of the humanistic inscription visible in the tomb of Luís da Silveira (1483-1534), in the family chapel (Góis, Coimbra), engraved on a book that reads the kneeling down effigy of the deceased. It argues the relationship of this sculptured book with the Books of Hours, despite the humanistic shape of the inscription’s script. Some affinities with other Italian and Peninsular Renaissance tombs are explored too, in particular the tomb of the so-called ‘Doncel of Sigüenza’. In addition, it is explained how the humanistic script of this inscription refers to Silveira’s education in the court of D. Manuel, and how the location in Góis responds to the withdrawal from the court at the end of his life.
Descrição
Palavras-chave
Inscrições humanísticas Silveira, Luís da Cancioneiro Geral
Contexto Educativo
Citação
Editora
Ediciones Complutense