A carregar...
Publicação
Habitar o natural : a vivência do mundo natural enquanto experiência de pintura
| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 39.13 KB | PNG | |||
| 31.07 MB | Adobe PDF |
Autores
Orientador(es)
Resumo(s)
Habitar o natural por meio da experiência artística surge como linha de força neste estudo teórico-prático, no qual será refectido o sentido desse habitar, as deambulações nos lugares naturais e o uso das matérias naturais locais no processo de pintura, dando corpo às obras finais apresentadas. De um modo introdutório e expositivo, este estudo incidirá sobre um habitar mútuo e transcorrente à História da Arte, na qual a arte habita a natureza e a natureza o âmago do artista, incidindo na sua obra. Nesse sentido, serão aqui comentadas obras de diferentes épocas que emergem desse habitar, bem como autores contemporâneos e seus processos criativos que constituirão o objecto de reflexão que me permitirá, posteriormente, adensar na minha experiência de pintura e obras geradas. Nesse sentido, após uma exposição das questões iniciais - o que é este habitar? e como esse se dá por meio da arte? -, serão aqui aprofundadas as várias fases decorrentes deste caminho autoral, rumo a um habitar da natureza pela experiência artística, do qual se compreendem as seguintes fases: 1- o ímpeto inicial de estar nos lugares naturais; 2 - a natureza natural na pintura como meio de pensar a interioridade enquanto autor; 3 - derivado da vivência constante de ambas as fases, um adentrar na natureza primordial da pintura que reflete o caráter autoral e a natureza natural vivenciada. A natureza como inspiração e como veículo de manifestação do autor, serão duas ideias transcorrentes nesta reflexão como um todo, tendo uma concretização plástica por meio de uma experiência de pintura - consequência desse habitar - que será posteriormente explanada e meditada.
Inhabiting the natural through the artistic experience emerges as a line of force in this theoretical-practical study, in which the meaning of this inhabiting, the wanderings in natural places and the use of local natural materials in the painting process will be reflected, giving body to the final works presented. In an introductory and expository way, this study will focus on a mutual and transcurrent inhabitation of Art History, in which art inhabits nature and nature the core of the artist, focusing on his work. In this sense, works from different eras that emerge from this inhabitation will be commented here, as well as contemporary authors and their creative processes that will constitute the object of reflection that will allow me, later, to deepen my experience of painting and generated works. In this sense, after an exposition of the initial questions - what is this inhabiting? And how does this happen through art? -, the various phases arising from this authorial path will be deepened here, towards an inhabitation of nature through artistic experience, of which the following phases are understood: 1- the initial impetus to be in natural places; 2 - natural nature in painting as a means of thinking about interiority as an author; 3 - derived from the constant experience of both phases, an entry into the primordial nature of painting that reflects the authorial character and the natural nature experienced. Nature as inspiration and as a vehicle for the author's manifestation will be two ideas that flow through this reflection as a whole, having a plastic concretion through a painting experience - a consequence of this inhabitation - which will later be explained and meditated.
Inhabiting the natural through the artistic experience emerges as a line of force in this theoretical-practical study, in which the meaning of this inhabiting, the wanderings in natural places and the use of local natural materials in the painting process will be reflected, giving body to the final works presented. In an introductory and expository way, this study will focus on a mutual and transcurrent inhabitation of Art History, in which art inhabits nature and nature the core of the artist, focusing on his work. In this sense, works from different eras that emerge from this inhabitation will be commented here, as well as contemporary authors and their creative processes that will constitute the object of reflection that will allow me, later, to deepen my experience of painting and generated works. In this sense, after an exposition of the initial questions - what is this inhabiting? And how does this happen through art? -, the various phases arising from this authorial path will be deepened here, towards an inhabitation of nature through artistic experience, of which the following phases are understood: 1- the initial impetus to be in natural places; 2 - natural nature in painting as a means of thinking about interiority as an author; 3 - derived from the constant experience of both phases, an entry into the primordial nature of painting that reflects the authorial character and the natural nature experienced. Nature as inspiration and as a vehicle for the author's manifestation will be two ideas that flow through this reflection as a whole, having a plastic concretion through a painting experience - a consequence of this inhabitation - which will later be explained and meditated.
Descrição
Tese de doutoramento, Belas-Artes, na especialidade de Pintura, 2026, Universidade de Lisboa, Faculdade de Belas-Artes
Palavras-chave
Inhabit Nature Ceramics Painting Stain Habitar Natureza Cerâmica Pintura Mancha