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Publicação
Lara Almarcegui. Las posibilidades que habitan lo intersticial
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Autores
Orientador(es)
Resumo(s)
What is really a building, just the sum of its materials? How do places crystallize moments of history? Is it possible to assume an active conscience in relation to certain locations and through their mediation? Can they endow us with an agency to redefine the role that has been assigned to us in urban designs? Issues that are at the center of the artistic activity of Lara Almarcegui and in relation to which the artist constructed, in the context of the Venice Biennale 2013, the two axes of her participation in it, that is, an installation -housed by the Spanish pavilion itself- which incorporated the materials that make it up and their exact weights; and a video that refers to a specific wasteland, the island that is the product of the deposition of Murano glass remains. Both plastic approaches allowed Almarcegui to project a critical, anthropological, contemplation on the conception of civilization and its avatars
Descrição
Palavras-chave
Almarcegui, Lara, 1972- Escultura Site - Specific Art Teoria da arte Crítica e interpretação Espanha
Contexto Educativo
Citação
In: :Estúdio. - Lisboa, 2010. - Vol.9 nº21 (Jan./Mar. 2018), p. 157-167
Editora
Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes