A carregar...
Publicação
Ensaio sobre a errância: o sentimento de exílio e a terra reivindicada em José Saramago
| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 439.88 KB | Adobe PDF |
Autores
Orientador(es)
Resumo(s)
A impossibilidade da terra e a deslocação das personagens é uma presença recorrente na obra de
José Saramago, desde as crónicas, onde se evidencia no léxico, até aos romances, que constituem a
parte mais substancial da sua obra e súmula de pontos programáticos que o autor foi apresentando nos
diversos géneros que explorou. Nesta dissertação procuraremos estudar de que forma a temática do
exílio é tratada na obra de Saramago.
Na primeira parte deste trabalho veremos como a obra do autor segue uma linha de sentido na
qual surge o sentimento de exílio.
Na segunda parte veremos os indícios dessa linha a partir do “Período Formativo”, onde surge
essencialmente no vocabulário, deixando entrever um motivo persistente na escrita do autor.
Por último veremos como os romances Jangada de Pedra (1986) e Ensaio sobre a Cegueira
(1995) constituem dois modos diferentes de abordar essa presença constante, numa maturidade onde
desembocam as diferentes abordagens que se foram desenvolvendo ao longo da produção textual de
José Saramago.
The impossibility of the land and the displacement of the characters is a recurring presence in José Saramago's work, from the chronicles, where it is evident in the lexicon, to the novels, which constitute the most substantial part of his work and a summary of programmatic points that the author has been presenting in the various genres he has explored. In this dissertation, we will try to study how the theme of exile is dealt with in Saramago's work. In the first part of this paper, we will see how the author's work follows a line of meaning in which the feeling of exile emerges. In the second part, we will see the signs of this line starting in the "Formative Period", where it appears essentially in the vocabulary, giving a glimpse of a persistent motif in the author's writing. Finally, we will see how the novels The Stone Raft (1986) and Blindness (1995) constitute two different ways of approaching this constant presence, in a maturity where the different approaches that have developed over the course of José Saramago's textual production converge.
The impossibility of the land and the displacement of the characters is a recurring presence in José Saramago's work, from the chronicles, where it is evident in the lexicon, to the novels, which constitute the most substantial part of his work and a summary of programmatic points that the author has been presenting in the various genres he has explored. In this dissertation, we will try to study how the theme of exile is dealt with in Saramago's work. In the first part of this paper, we will see how the author's work follows a line of meaning in which the feeling of exile emerges. In the second part, we will see the signs of this line starting in the "Formative Period", where it appears essentially in the vocabulary, giving a glimpse of a persistent motif in the author's writing. Finally, we will see how the novels The Stone Raft (1986) and Blindness (1995) constitute two different ways of approaching this constant presence, in a maturity where the different approaches that have developed over the course of José Saramago's textual production converge.