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Proposta de um novo consolidante para suporte de madeira em pintura de cavalete com solventes de baixa toxicidade

datacite.subject.fosHumanidades::Artespt_PT
dc.contributor.advisorBailão, Ana Maria dos Santos
dc.contributor.advisorMarín, Eva Pérez
dc.contributor.authorCarvalho, Carina Real
dc.date.accessioned2020-08-04T12:57:17Z
dc.date.available2020-08-04T12:57:17Z
dc.date.issued2020-03-03
dc.description.abstractThis research is based on the proposal of a new consolidant for easel painting wooden supports. The proposed consolidant is a urea-aldehyde resin, commercially known as Laropal® A81. The use of this in Conservation and Restoration is recent, around 20 years. The choice of this resin is associated with its good properties, such as low molecular weight and the possibility of dissolving it in low toxicity solvents. The use of high toxicity products is frequent in consolidation, which inherently turns into a safety risk for operators and the environment. As such, the objectives of the consolidation of wood supports were referred, presenting a bibliographical review regarding the consolidants used in the past and present and regarding the characteristics they should have. The same analysis was performed for the solvents. The properties of Laropal® A81 and its employability in Conservation and Restoration were also presented. Additionaly, the characteristics of wood and the evolution of woody supports from ancient times to the present were also addressed. Due to the scarcity of information about its use in contemporary art, a questionnaire termed “Wooden supports of easel painting in contemporary art” was conducted. The analysis of the results of this questionnaire allowed us to conclude that the use of wood in easel painting is a current practice, and the type of species that they use most is pine. Wood consolidation is usually employed when the wood is debil, result of degradation by pests, particularly caused by xylophagous insects. These arise due to temperature and relative humidity oscillation, which lead to the analysis of these phenomena. Lastly, physicochemical tests were carried out to verify if Laropal® A81 has the required properties to be used as a consolidant and to assess how it interacts with the wood substrate. These assays were also applied to Regalrez® 1126 and Paraloid® B72 resins to obtain comparative results, in which low toxicity solvents were also used. Laropal® A81 was diluted in Mostanol and Dowanol PM, Regalrez® 1126 in cyclohexane and Paraloid® B72 in butyl etanoate. These solutions were impregnated in wooden samples, followed by tests with different objectives: morphological observation of the woods; evaluation of brightness changes; perception of the permeability of the woods in punctual and total manners; comprehension of the penetration of resins in wood; analysis of hardness increase and type of abrasion. Within the resins tested, better results were obtained with Regalrez® 1126 while Paraloid® B72 showed worse effects. Laropal® A81 results varied, however better results were achieved with Mostanol solvent. Finally, a consolidation treatment was performed on a XVII century wood painting to test Laropal® A81, dissolved in Mostanol, as a consolidant. This solution proved to be effective in this treatment as it penetrated easily.pt_PT
dc.identifier.tid202482790pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/44210
dc.language.isoporpt_PT
dc.subjectConservação e restauropt_PT
dc.subjectPintura de cavaletept_PT
dc.subjectMadeira - Composição químicapt_PT
dc.subjectConsolidaçãopt_PT
dc.subjectSolventes de baixa toxicidadept_PT
dc.subjectFactores de degradaçãopt_PT
dc.subjectEstudos de casopt_PT
dc.subjectLaropal A81pt_PT
dc.titleProposta de um novo consolidante para suporte de madeira em pintura de cavalete com solventes de baixa toxicidadept_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameDissertação de mestrado, Ciências da Conservação, Restauro e Produção de Arte Contemporânea, Universidade de Lisboa, Faculdade de Belas Artes, 2020pt_PT

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