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My back pages: uma análise de Chronicles: Volume One, de Bob Dylan, sob a perspectiva da Memória Cultural
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O seguinte projeto, construído para a dissertação de mestrado, tem como objetivo analisar o livro
Chronicles: Volume One, escrito pelo compositor norte-americano Bob Dylan, sob a perspectiva
da memória cultural. Para atingir este objetivo, o trabalho foi dividido em quatro capítulos. No
primeiro capítulo, intitulado “Bob Dylan, a vida e a obra”, as origens do cantor e sua trajetória
artística foram expostas para, em seguida, abordar o livro Chronicles: Volume One, desde sua
concepção até sua estrutura narrativa. No segundo capítulo os estudos de memória e de cultura
são tratados por meio de seus principais conceitos e autores, como a Memória Coletiva de
Maurice Halbwachs, os Lugares de Memória de Pierre Nora, e a Análise de Cultura de Raymond
Williams. No terceiro capítulo, a análise documental como metodologia de investigação foi
apresentada para, em seguida, desenvolver a análise dos capítulos do livro Chronicles, que
consiste em compreender como os conceitos de memória e a tradição seletiva se manifestam
dentro dos trechos selecionados onde Dylan discorre sobre suas perspectivas culturais e sobre os
lugares e as pessoas que contribuíram para seu amadurecimento artístico. O trabalho é concluído
com uma reflexão acerca da importância desta obra para a preservação da memória cultural a
partir das conclusões tiradas da análise da obra, e também da relação dos estudos de memória
com o registro autobiográfico
The following project, written for the master's thesis, aims to analyze the book Chronicles: Volume One, written by the American composer Bob Dylan, from the perspective of Cultural Memory. To achieve this goal, this project was divided into four chapters. In the first chapter, entitled “Bob Dylan, life and work”, the singer's origins and his artistic trajectory were analysed as to, then, address the book Chronicles: Volume One, from its conception to its narrative structure. In the second chapter, memory and culture studies deal with their main concepts and authors, such as Maurice Halbwachs’ Collective Memory, Pierre Nora’s Places of Memory, and the Analysis of Culture by Raymond Williams. In the third chapter, document analysis as a research methodology was presented so as to develop the analysis of the chapters of the book Chronicles, which consists of understanding how the concepts of memory and selective tradition are manifested within the selected excerpts where Dylan discusses his perspectives on culture and the places and people who contributed to his artistic maturation. This project concludes with a reflection on the importance of this project for the preservation of cultural memory based on the conclusions drawn from the exploration of the object of study, and also on the relationship between memory studies and the autobiographical record.
The following project, written for the master's thesis, aims to analyze the book Chronicles: Volume One, written by the American composer Bob Dylan, from the perspective of Cultural Memory. To achieve this goal, this project was divided into four chapters. In the first chapter, entitled “Bob Dylan, life and work”, the singer's origins and his artistic trajectory were analysed as to, then, address the book Chronicles: Volume One, from its conception to its narrative structure. In the second chapter, memory and culture studies deal with their main concepts and authors, such as Maurice Halbwachs’ Collective Memory, Pierre Nora’s Places of Memory, and the Analysis of Culture by Raymond Williams. In the third chapter, document analysis as a research methodology was presented so as to develop the analysis of the chapters of the book Chronicles, which consists of understanding how the concepts of memory and selective tradition are manifested within the selected excerpts where Dylan discusses his perspectives on culture and the places and people who contributed to his artistic maturation. This project concludes with a reflection on the importance of this project for the preservation of cultural memory based on the conclusions drawn from the exploration of the object of study, and also on the relationship between memory studies and the autobiographical record.