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O social media como veículo da obra de arte total de Ana Pérez-Quiroga

dc.contributor.authorAristimuño, Felipe
dc.date.accessioned2019-06-14T14:51:43Z
dc.date.available2019-06-14T14:51:43Z
dc.date.issued2016-07
dc.description.abstractIn this article we discuss the work “Selfportrait of a female artist as part of society”, by the Portuguese artist Ana Pérez-Quiroga. This work, which can be defined as social media art, has been built over the last 4 years using the Instagram app, and has over 16,000 images published so far. We analyze this artwork based on the concept of “total art”, or Gesammtkunstwerk, adopted by the artist to determine her intermedia poetic search, with the assumption that art can become “total” when connecting to real life in a set of sequential events mediated by everyday objects and images. We will also briefly relate this artwork with the project “Home”, also by Ana Pérez-Quiroga, to find out how social media can serve as a vehicle for a contemporary “total art” in both projectspt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationIn: Estúdio. - Lisboa, 2016-. - Vol. 7, nº15 (Jul./Set. 2016), p. 65-72pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/38642
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artespt_PT
dc.subjectPérez-Quiroga, Ana, 1960-pt_PT
dc.subjectFotografiapt_PT
dc.subjectInovações tecnológicaspt_PT
dc.subjectMultimédiapt_PT
dc.titleO social media como veículo da obra de arte total de Ana Pérez-Quirogapt_PT
dc.title.alternativeO social media as vehicle of Ana Pérez-Quiroga total artept_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage72pt_PT
oaire.citation.startPage65pt_PT
oaire.citation.titleEstúdiopt_PT
oaire.citation.volumeVol. 7, nº15 (Jul./Set. 2016)pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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