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Bola ao poste : quotidiano suspenso pela experiência estética
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O projeto de investigação, apresentado neste estudo, Bola ao Poste: Quotidiano suspenso pela experiência estética, desenvolve-se como uma investigação sobre a minha prática artística, a partir da qual pretendo transfigurar o quotidiano e o banal em objeto de reflexão estética. Através da pintura, enquanto meio privilegiado de exploração, este trabalho questiona de que forma a experiência sensível do dia-a-dia pode ganhar novos significados, nomeadamente no campo cultural e artístico, suspendendo a sua trivialidade no sentido de revelar outras camadas de significado. A investigação estrutura-se em duas partes, assumindo o estúdio como espaço de divisão entre elas. Através de referências teóricas, visuais e artísticas, a primeira parte, O meu território criativo, explora as noções de encontro e recolha do quotidiano enquanto campo fértil para a criatividade e apropriação. Além disso, procura compreender de que modo a experiência estética pode manifestar-se no banal, ao romper o percurso neutro do quotidiano. A segunda parte, O projeto artístico, centra-se na criação e na devolução, e corresponde à análise do trabalho prático desenvolvido durante o Mestrado em Pintura, no estúdio. Este acaba por culminar no projeto expositivo Bola ao Poste. O meu processo criativo estrutura-se em quatro momentos dialéticos e consequentes: o encontro, a recolha, a criação e a devolução. Ao invés de se apresentarem como fases lineares, constituem um ciclo continuado de ação e reflexão. Estes momentos não se esgotam em si mesmos: antes, estabelecem uma simbiose entre o pensar e o fazer, onde cada ação ou gesto criativo é simultaneamente um ato de questionamento e de construção. É neste território de permanente devir, onde a pintura se desenvolve não como produto, mas como processo, que a obra se concretiza.
The research project presented in this study, Bola ao Poste: Quotidiano suspenso pela experiência estética (Everyday suspended by the aesthetic experience), unfolds as na investigation of my artistic practice, through which I seek to transfigure the everyday and the ordinary into and object of aesthetic reflection. Through painting, as the primary medium of exploration, this work questions how the sensorial experience of everyday life can acquire new meanings, particularly within the cultural and artistic field, suspending its triviality in order to reveal hidden layers of meaning. The research is structured in two parts, with the studio as the space dividing them. Through theoretical, visual, and artistic references, the first part, My Creative Territory, explores the notions of encounter and gathering in everyday life as fertile ground for creativity and appropriation. Furthermore, it aims to understand how aesthetic experience can manifest itself in the mundane, by disrupting the neutral course of the everyday. The second part, The Artistic Project, focuses on creation and return, corresponding to the analysis of the practical work developed during the Master’s Degree in Painting, in the studio. This culminates in the exhibition project Bola ao Poste. My creative process is structured around four dialectical and interrelated stages: encounter, gathering, creation, and return. Rather than presenting themselves as linear phases, they constitute a continuous cycle of action and reflection. These stages are not self-contained: rather, they establish a symbiosis between thinking and doing, where every creative action or gesture is simultaneously an act of questioning and construction. It is within this ever-becoming territory, where painting develops not as a product but as a process, that the work takes shape.
The research project presented in this study, Bola ao Poste: Quotidiano suspenso pela experiência estética (Everyday suspended by the aesthetic experience), unfolds as na investigation of my artistic practice, through which I seek to transfigure the everyday and the ordinary into and object of aesthetic reflection. Through painting, as the primary medium of exploration, this work questions how the sensorial experience of everyday life can acquire new meanings, particularly within the cultural and artistic field, suspending its triviality in order to reveal hidden layers of meaning. The research is structured in two parts, with the studio as the space dividing them. Through theoretical, visual, and artistic references, the first part, My Creative Territory, explores the notions of encounter and gathering in everyday life as fertile ground for creativity and appropriation. Furthermore, it aims to understand how aesthetic experience can manifest itself in the mundane, by disrupting the neutral course of the everyday. The second part, The Artistic Project, focuses on creation and return, corresponding to the analysis of the practical work developed during the Master’s Degree in Painting, in the studio. This culminates in the exhibition project Bola ao Poste. My creative process is structured around four dialectical and interrelated stages: encounter, gathering, creation, and return. Rather than presenting themselves as linear phases, they constitute a continuous cycle of action and reflection. These stages are not self-contained: rather, they establish a symbiosis between thinking and doing, where every creative action or gesture is simultaneously an act of questioning and construction. It is within this ever-becoming territory, where painting develops not as a product but as a process, that the work takes shape.
Descrição
Dissertação de mestrado, Pintura, 2026, Universidade de Lisboa, Faculdade de Belas-Artes.
Palavras-chave
Everyday Aesthetic experience Creative process Gathering Painting Quotidiano Experiência Estética Processo criativo Recolha Pintura