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O coro de Gota d'Água : a recepção de Eurípides e a inovação de Chico Buarque e de Paulo Pontes
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Esta dissertação tem como objetivo analisar e entender a manifestação coral da peça Gota D’água, obra escrita por Chico Buarque e por Paulo Pontes, que consiste numa recriação da tragédia grega Medeia de Eurípides. Desenvolveremos um estudo literário sobre o Coro das respectivas obras, buscando entender a importância da manifestação coral em ambas as peças. Para além disso, identificaremos os pontos de interseção entre o Coro da tragédia brasileira e o Coro de Medeia, bem como os momentos de afastamento, desvelando a novidade trazida por Buarque e por Pontes. No andamento desta pesquisa, poder-se-á ainda perceber que o Coro de Gota D’água dialoga, de maneira clara ou sutil, com outras obras literárias, que desempenham um papel importante para complementar a construção coral. Por conseguinte, tais obras também receberão um espaço de destaque neste trabalho. Durante toda a análise, o contexto político e social, em que a tragédia Gota D’água se insere, será copiosamente evidenciado, com intuito de facilitar a compreensão da mensagem que a voz coral pretende propalar.
This dissertation aims to analyze and perceive the significance of the choral manifestation of Gota D’água, play written by Chico Buarque and Paulo Pontes, which consists in a contemporary recreation of the euripidean greek play, Medeia. We shall be concerned with elaborating a literary study about the Chorus within these works, focusing on the importance of the choral expression in both plays. Furthermore, we will identify both the common lines between the Chorus of the brasilian tragedy and Medeia’s Chorus, as well as the deviation moments which unravel the novelty brought by Buarque and Pontes. Later in this research, we will become aware of a subtle or perspicuous connection involving Gota D’água’s Chorus and other literary plays which take part in fundamentally complementing the choral role. As a result, these works will be taken into account in the investigation. The political and social context of Gota D’água will therefore be encompassed throughout the analyzis, having the intention of achieving an understanding of the message the choral voice intends to convey.
This dissertation aims to analyze and perceive the significance of the choral manifestation of Gota D’água, play written by Chico Buarque and Paulo Pontes, which consists in a contemporary recreation of the euripidean greek play, Medeia. We shall be concerned with elaborating a literary study about the Chorus within these works, focusing on the importance of the choral expression in both plays. Furthermore, we will identify both the common lines between the Chorus of the brasilian tragedy and Medeia’s Chorus, as well as the deviation moments which unravel the novelty brought by Buarque and Pontes. Later in this research, we will become aware of a subtle or perspicuous connection involving Gota D’água’s Chorus and other literary plays which take part in fundamentally complementing the choral role. As a result, these works will be taken into account in the investigation. The political and social context of Gota D’água will therefore be encompassed throughout the analyzis, having the intention of achieving an understanding of the message the choral voice intends to convey.
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Eurípides, 0480-0406 a.C.. Medeia - Apreciação Holanda, Chico Buarque de, 1944-..... Gota d'Água Pontes, Paulo, 1940-1976. Gota d'Água Teatro brasileiro - séc.20 - História e crítica Tragédia grega - História e crítica Coros de teatro - História e crítica Teses de mestrado - 2017