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Em busca de um ator livre: ideias sobre o não-ator em contextos teatrais contemporâneos
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O estudo analisa a participação de não-atores – os quais podem ser caracterizados
basicamente como atores não profissionais – com funções de protagonismo em cena, em
três contextos teatrais diferentes (Teatro do Oprimido, Teatro Documental e os impulsos
desenvolvidos na Cena Contemporânea Portuguesa pelo Colectivo 84), buscando
sobretudo identificar a influência destes indivíduos na dinâmica da criação do
espetáculo sob três aspectos: o primeiro contato do não-ator com o processo criativo, as
relações entre o não-ator e a encenação, assim como com a dramaturgia. Trilha-se este
caminho para que se encontre na prática algumas respostas para a seguinte pergunta:
será que um adequado posicionamento do não-ator frente ao contexto ao qual ele terá
que dar corpo em cena pode influenciar positivamente seu desempenho artístico? Tendo
como base o momento que precede a sua interação cênica, e procurando criar condições
para que suas ações espontâneas sejam cada vez mais integradas ao propósito do
espetáculo, buscar-se-á apontar sugestões para que o intérprete - seja ele não-ator ou
ator - se liberte de situações que o restrinjam durante o processo de criação, tomando de
fato para si a história e manifestando-se com alto grau de autenticidade como
protagonista que é em cena e, antes disto, em sua própria vida.
Abstract: The study analyses the participation of non-actors - which can be characterized basically as non-professional actors - in three different theatre contexts (Theatre of the Oppressed, Documentary Theatre and the tendencies developed in contemporary Portuguese scene by the theatre group Colectivo 84). It tries to identify the influence of these individuals on the dynamics of the artistic creation in three situations: the nonactors’ first contact with the creative process; the relationship between the non-actors and the staging process; and the non-actor’s interaction with the dramaturgical process. The aim is to find in practice some answers to the following question: is it possible that a solid pre-positioning about the context - which will be presented by the performers on stage - can positively influence their own artistic performance? Focusing on the moment before the action on stage, suggestions will be proposed to the performers - whether non-actors or actors - to give them the possibility to release themselves from the matters that restrict them during the process of creation. The focus on the pre-positioning can create conditions for the performers’ spontaneous actions to be increasingly integrated into the purpose of the show, when they take upon themselves the story and express it authentically as protagonists on stage and, above all, in their own lives.
Abstract: The study analyses the participation of non-actors - which can be characterized basically as non-professional actors - in three different theatre contexts (Theatre of the Oppressed, Documentary Theatre and the tendencies developed in contemporary Portuguese scene by the theatre group Colectivo 84). It tries to identify the influence of these individuals on the dynamics of the artistic creation in three situations: the nonactors’ first contact with the creative process; the relationship between the non-actors and the staging process; and the non-actor’s interaction with the dramaturgical process. The aim is to find in practice some answers to the following question: is it possible that a solid pre-positioning about the context - which will be presented by the performers on stage - can positively influence their own artistic performance? Focusing on the moment before the action on stage, suggestions will be proposed to the performers - whether non-actors or actors - to give them the possibility to release themselves from the matters that restrict them during the process of creation. The focus on the pre-positioning can create conditions for the performers’ spontaneous actions to be increasingly integrated into the purpose of the show, when they take upon themselves the story and express it authentically as protagonists on stage and, above all, in their own lives.
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Actores amadores Arte dramática Teses de mestrado - 2016