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Sobre o conceito de rascunho
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Esta tese faz um estudo analítico do conceito de rascunho nas artes, tendo como ponto de
partida alguns textos críticos de Charles Baudelaire. Depois de se refutar definições
baseadas em propriedades formais, propõe-se um modo de descrição que leve em conta um
entendimento particular da noção de intenção, a qual está implicada em certos usos dos
rascunhos. Estes são, assim, descritos enquanto planos intencionais incompletos,
numericamente distintos de (e prévios a) obras de arte, mas a elas ligados teleologicamente.
O objetivo final da tese é analisar como tal descrição repercute na crítica literária e de arte, e
não criar uma teoria normativa dos rascunhos.
Abstract: This thesis offers an analytical study of the concept of draft in art, taking Charles Baudelaire's critical essays as a starting point for further in-depth analysis. After refusing accounts based on formal proprieties, the thesis suggests a mode of description rested on a particular understanding of intention, which is entailed by some uses of drafts. They are thus described as intentional and incomplete plans, numerically distinct from works of art and conceived before works being published, though teleologically linked to them. The final aim of the thesis is to analyse the consequences of such description to literary and artistic criticism, and not to put forth a normative theory of drafts.
Abstract: This thesis offers an analytical study of the concept of draft in art, taking Charles Baudelaire's critical essays as a starting point for further in-depth analysis. After refusing accounts based on formal proprieties, the thesis suggests a mode of description rested on a particular understanding of intention, which is entailed by some uses of drafts. They are thus described as intentional and incomplete plans, numerically distinct from works of art and conceived before works being published, though teleologically linked to them. The final aim of the thesis is to analyse the consequences of such description to literary and artistic criticism, and not to put forth a normative theory of drafts.
Descrição
Tese de mestrado, Teoria da Literatura, Universidade de Lisboa, Faculdade de Letras, 2013
Palavras-chave
Rascunhos (Arte) Criação (Estética) Intenção Teses de mestrado - 2013