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Errorista : erro e errância nas práticas artísticas contemporâneas
| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 767.04 KB | JPEG | |||
| Tese | 31.87 MB | Adobe PDF | ||
| Anexo 1 - Gemma Noris_1by1 | 288.13 MB | MPEG | ||
| Anexo 2 - Gemma Noris_Oskar Kokoschka | 242.53 MB | Unknown | ||
| Anexo 3 - Gemma Noris_Solitário_cartas | 168.49 MB | MPEG |
Autores
Orientador(es)
Resumo(s)
This thesis, that concludes the Masters in Multimedia Arts, elaborates a
survey about my artistic practice, which is the link that connects, more
or less firmly, the various episodes of a trajectory. Starting from the
overlapse of meanings between the words «error» and «wandering», that
share the same etymological root, the mediating axis of this study is the
process of the loss of objectivity and the classificatory difficulties of
contemporary art. To understand this process, it was necessary to
analyze it from two different dimensions: the thematic of the error leads
us to treat the operational modes that deviate in relation to the status
quo, while the wandering alludes to an ongoing experimental activity
that affirms the importance of uncertainty as the driving force of the
artistic knowledge. During this itinerary, due to the fact that the
priority domain of this research is in the area of Performance/
Installation, we challenge the aim of resemantizing the word
«performance», which nowadays is an invading paradigm of the artistic
discourses. Supported by the thought of artists (Fiete Stolte, Florian
Slotawa, Ray Charles, Maria Thereza Alves), art historians (Nicolas
Bourriaud, Dorothea von Hantelmann) and philosophers (Zygmunt
Bauman, Edgar Morin, Henry David Thoreau, Michel Meffesoli), this
dissertation advocates the positivity of errors, that play with the ways
how we structure the world, highlighting the gap that exists between
what we call normality and reality. The three videos, which compose the
practical part of the thesis, function as markers, highlighting certain
aspects of the reality and their symbolic potential
Descrição
Palavras-chave
Slotawa, Florian, 1962- Stolte, Fiete, 1979- Ray, Charles, 1953- Alves, Maria Thereza, 1961- Performance art Instalação (Arte) Erro Norma Errância