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Alarido : o feminino, a identidade e o outro na obra gráfica de Maria Beatriz
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This research aims to study the production of the portuguese artist, Maria Beatriz, and its relation with the history and personal identity of the artist. Developed from four strands: women in art, self-portrait, Lacan's Mirror's Stage theory and the other; the work of the artist will be interpreted from her subjective formation, as subject and woman, in the world and in art. In order to show how this formation becomes latent, demanding and identitary within the artist's productions. Through a brief analysis of the history of women in art and self-portrait, we will frame Maria Beatriz's work within the female universe and the subject that produces it. We will also analyse how the artist, throughout her productions, preaches the recovery of this body, plastered by social ideologies, back to the domain of women, the holder of these bodies. Then we proceed to the understanding of the formation of the self, passing through concepts of psychoanalysis that will clarify the bases of the subject's identity constitution, using the lacanian theory of the Mirror Stage in order to clarify how existence forms, affects and shapes the individual and all his actions. There is also a brief study here on the importance and role of the other in the development and individual formation, and also the fruition of this other among the works of Maria Beatriz. From the path of women in art and along with psychoanalytic theories, we will begin the analysis of the artist's works to understand how this material collected and absorbed, during her experience as an existing being, transforms and gives shape to her artistic production. With this empirical look, we will investigate the overflow of signifiers in her works and analyse, in the light of the shadow of their history, how the artist revisits scores, accepts them and thus is reborn from her experiences as a woman and artist
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Curadoria Feminino Auto representação Outro Teoria da arte Crítica da arte