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Hibridismos - sintomas de expansão na pintura contemporânea

dc.contributor.advisorBotelho, Manuel, 1950-
dc.contributor.authorRamos, Rosa Coelho, 1982-
dc.date.accessioned2012-04-10T14:36:12Z
dc.date.available2012-04-10T14:36:12Z
dc.date.issued2012
dc.descriptionTese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2012por
dc.description.abstractThe contemporary pictorial field, as a reflection of multiple changes conveyed by creative processes,themes and multi-directional artistic practices, is especially characterized by its hybrid nature. Its comprehension depends on the identification and study of a possible set of of "symptons"- appropriation, simulation and installation. These "symptons" coexists in various disciplines, and present themselves as the forerunners of the fluidity and territorial expansion that we can see in Comtemporary Painting. A further study of such practices, which are deeply inter-related, is better achieved through the presentation of case studies (in this paper we focus on the work of Barbara Kruger and Petter Halley). "Walking Under", the integrated personal artistic project in this dessertation, can be , by its features, one of these case studies ( but it is more than that: it was the driving force that led to this thesis, determining the core aspects of the theoretical study)por
dc.identifier.urihttp://hdl.handle.net/10451/5934
dc.language.isoporpor
dc.peerreviewedyespor
dc.subjectKruger, Barbara, 1945-por
dc.subjectHalley, Peter, 1953-por
dc.subjectArte contemporâneapor
dc.subjectPinturapor
dc.subjectHibridismopor
dc.subjectInstalaçõespor
dc.titleHibridismos - sintomas de expansão na pintura contemporâneapor
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspor
rcaap.typemasterThesispor

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