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Corpos em transformação : o corpo Queer como narrativa visual
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Corpos em transformação: O Corpo Queer como Narrativa Visual explora o corpo como espaço de resistência, metamorfose e liberdade, articulando teoria queer com prática artística digital. O projeto parte da obra de Jesse Kanda, cujos corpos lubridos e sensuais oscilam entre o belo e o grotesco, pretendendo, assim, investigar a transformação corporal como metáfora da experiência queer e questionamento das normas de género e identidade. A componente teórica contextualiza o projeto através de pensadores fundamentais. Simone de Beauvoir introduz a ideia de que o género é um processo de tornar-se, e não uma essência natural. Michel Foucault analisa o biopoder e os mecanismos de vigilância que disciplinam os corpos. Judith Butler propõe o género como performance repetitiva e subversiva, capaz de resistir às normas. Paul B. Preciado radicaliza esta visão, apresentando a contra-sexualidade como tecnologia de libertação, isto é, o corpo como prótese em mutação contínua, capaz de reinventar o prazer e a identidade. Donna Haraway e a figura do ciborgue completam esta rede teórica, afirmando a fusão entre carne e máquina como símbolo de libertação pós-humana. A parte prática, intitulada Contra-Corpo, é constituída por várias imagens criadas digitalmente em 3D e por um vídeo com três atos (Despertar, Recodificar e Transmutar) que combina uma estética sci-ji, som corporal e modelação 3D para representar um corpo que se transforma para além do humano e do género. No fim, o trabalho afirma que pensar o corpo em transformação é pensar a liberdade e a possibilidade de existir fora das normas, imaginando novas formas de ser. O corpo queer torna-se, assim, uma narrativa visual de resistência, criação e potência.
Bodies in transformation: The Queer Body as Visual Narrative explores the body as a space of resistance, metamorphosis, and freedom, connecting queer theory and digital artistic practice. The project takes inspiration from Jesse Kanda's work, whose hybrid and sensual figures oscillate between beauty and the grotesque, intending to investigate bodily transformation as a metaphor for queer experience and as a challenge to gender and identity norms. The theoretical framework contextualizes the project through key thinkers. Simone de Beauvoir introduces the idea that gender is a process of becoming, not a natural essence. Michel Foucault examines biopower and the mechanisms of surveillance that discipline bodies. Judith Butler proposes gender as a repetitive and performative act, capable of subverting social norms. Paul B. Preciado radicalizes this view by presenting counter-sexuality as a technology of liberation, this is, the body as a prosthetic, as a continuously mutating field that redefines pleasure and identity. Donna Haraway's cyborg theory complements this network of ideas, affirming the fusion between flesh and machine as a symbol of posthuman liberation. The practical component, titled Contra-Corpo (Counter-Body), consists of several digitally created 3D images and a vídeo with three acts (Awakening, Recoding, and Transmutation), that combines sci-fi aesthetics, bodily sound, and 3D modeling to depict a body transforming beyond the human and the gendered. Ultimately, the project argues that to think of the body as transforming is to think of freedom and the ability to exist outside of norms and to imagine new ways of being. The queer body thus becomes a visual narrative of resistance, creation, and power
Bodies in transformation: The Queer Body as Visual Narrative explores the body as a space of resistance, metamorphosis, and freedom, connecting queer theory and digital artistic practice. The project takes inspiration from Jesse Kanda's work, whose hybrid and sensual figures oscillate between beauty and the grotesque, intending to investigate bodily transformation as a metaphor for queer experience and as a challenge to gender and identity norms. The theoretical framework contextualizes the project through key thinkers. Simone de Beauvoir introduces the idea that gender is a process of becoming, not a natural essence. Michel Foucault examines biopower and the mechanisms of surveillance that discipline bodies. Judith Butler proposes gender as a repetitive and performative act, capable of subverting social norms. Paul B. Preciado radicalizes this view by presenting counter-sexuality as a technology of liberation, this is, the body as a prosthetic, as a continuously mutating field that redefines pleasure and identity. Donna Haraway's cyborg theory complements this network of ideas, affirming the fusion between flesh and machine as a symbol of posthuman liberation. The practical component, titled Contra-Corpo (Counter-Body), consists of several digitally created 3D images and a vídeo with three acts (Awakening, Recoding, and Transmutation), that combines sci-fi aesthetics, bodily sound, and 3D modeling to depict a body transforming beyond the human and the gendered. Ultimately, the project argues that to think of the body as transforming is to think of freedom and the ability to exist outside of norms and to imagine new ways of being. The queer body thus becomes a visual narrative of resistance, creation, and power
Descrição
Dissertação de mestrado, Arte Multimédia, especialização em Artes Interativas, 2026, Universidade de Lisboa, Faculdade de Belas-Artes.
Palavras-chave
Transformation Resistance Queer Counter-sexuality Dildo Transformação Resistência Queer Contra-sexualidade Dildo