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ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0

2020-07-09Dissertação de mestrado Acesso aberto
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datacite.subject.fosHumanidades::Artespt_PT
datacite.subject.fosHumanidades::Artespt_PT
dc.contributor.advisorTaveira, Rogério Paulo Raposo Alves
dc.contributor.authorGonçalves, Carlos Miguel
dc.date.accessioned2021-03-23T12:43:47Z
dc.date.available2021-03-23T12:43:47Z
dc.date.issued2020-07-09
dc.description.abstractIndividuals are more and more connected with the online world in order to find informations about social life and follow artistical developments; therefore it is of crucial importance that this new public “spaces” should consider the empirical discoveries of the scientifical investigation towards the public, considering this space has become common. After looking deep into a special notion from the point of view of web 2.0 within the actual panorama, this study project analyses those that are considered the main search results of private and public within the online environment and its implications in the XXI century society. Special emphasis is given to the subversion introduced by the navigational mechanisms of the web 2.0, to the storage nature of its contents produced by cybernauts and the potential impact of the web 2.0 in the public space and citizen´s rights towards their own privacity. Web 2.0 is to innovate its notion of public space if it wants to keep its characteristics of common asset as software of the public Internet network. ALT+R+Hotkey has in itself the power to configured as an artistical practice that analyses the subversion of the public space on WEB 2.0. In 1990 the Internet Protocol Suite appears capable of reducing geographical, political, economic and artistical distances; a public space as a publically shaped place. ALT+R+Hotkey has the potential to bring in to the publical debate on web 2.0, establishing comparisons through its own network of concepts and connections: Umwelt em Jakob von Uexküll, The New Public Space in Daniel Innerarity, Low Fidelity space in Jaron Lanier and Ethnoscape in Arjun Appadurai, comparing to Alt+R+hotkey and crossing it with Public Dominion in Richard Sennett, Camuflage in Abbott Thayer as a means of a strategy of special subversion. Finally Alt+R+Hotkey is confronted with the aforementioned concepts, hence the artistical practice of this studypt_PT
dc.identifier.tid202655164pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/46983
dc.language.isoporpt_PT
dc.subjectUexküll, Jacob von,‏ ‎ 1864-1944‏pt_PT
dc.subjectInnerarity, Daniel, 1959-pt_PT
dc.subjectLanier, Jaronpt_PT
dc.subjectAppadurai, Arjun, 1949-pt_PT
dc.subjectSennett, Richard, 1943-pt_PT
dc.subjectThayer, Abbottpt_PT
dc.subjectBrunton, Finnpt_PT
dc.subjectNissenbaum, Helenpt_PT
dc.subjectManovich, Lev, 1960-pt_PT
dc.subjectCibernéticapt_PT
dc.subjectEspaço públicopt_PT
dc.subjectWeb 2.0pt_PT
dc.subjectTecla de atalhopt_PT
dc.subjectSubversãopt_PT
dc.subjectMundos própriospt_PT
dc.subjectPráticas artísticaspt_PT
dc.titleALT + R - HOTKEY: e a subversão do espaço público na Web 2.0pt_PT
dc.typemaster thesis
dspace.entity.typePublication
person.familyNameRicardo Gonçalves
person.givenNameCarlos Miguel
person.identifier.ciencia-idA814-4A5A-E066
person.identifier.orcid0000-0002-6886-5911
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
relation.isAuthorOfPublication86ed0964-fa41-462a-91f3-cf0042dac25f
relation.isAuthorOfPublication.latestForDiscovery86ed0964-fa41-462a-91f3-cf0042dac25f
thesis.degree.nameDissertação de Mestrado, Arte Multimédia, especialização em Audiovisuais, Universidade de Lisboa, Faculdade de Belas Artes, 2020pt_PT

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