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A imagem feminina nas obras ficcionais de Giovana Madalosso
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Giovana Madalosso, nascida em Curitiba em 1975, é uma escritora brasileira contemporânea. Suas obras foram indicadas várias vezes para prestigiados prêmios literários no Brasil: seu livro de estreia, A Teta racional, foi finalista do Prêmio Biblioteca Nacional, seu segundo livro, Tudo pode Ser Roubado, finalista do Prêmio São Paulo de Literatura, sua terceira obra, Suíte Tóquio, finalista do Prêmio São Paulo e do Jabuti. Nelas, uma série de figuras femininas diversas têm sido retratadas. As suas obras discutem alguns dos dilemas de vida que cada mulher moderna enfrenta ou vai, talvez, enfrentar no futuro, tais como os ligados à maternidade, à carreira profissional, à desigualdade social, aos desejos sexuais, entre outros.
Esta dissertação pretende analisar as imagens femininas propostas nas três obras de Giovana Madalosso: A Teta racional, Tudo pode Ser Roubado e Suíte Tóquio. A autora cria nas suas obras ficcionais um universo de personagens predominantemente femininas, ocupando os personagens masculinos uma posição secundária. Para compreender como essas imagens femininas foram construídas, analisaremos criticamente as figuras mais relevantes a partir de quatro temas recorrentes na obra de Madalosso: maternidade, vulnerabilidade, identidade e sexualidade. As personagens femininas que aparecem nessas narrativas desafiam as normas sociais tradicionais ou mostram as restrições patriarcais impostas à sua existência. Para compreender melhor a sua condição e posição, a análise proposta neste trabalho parte das contribuições de teóricas feministas que se debruçaram sobre as temáticas da maternidade, a vulnerabilidade, o gênero e a sexualidade, como Simone de Beauvoir, Adrienne Rich, Judith Butler, Kate Millett e Julia Kristeva, entre outras.
Giovana Madalasso, born in Curitiba in 1975, is a contemporary Brazilian writer. Her works have been nominated several times for prestigious literary awards in Brazil: her debut book A Teta Racional was a finalist for the National Library Prize, her second book Tudo pode Ser Roubado was a finalist for the São Paulo Literature Prize, and her third work Suíte Tóquio was a finalist for both the São Paulo Prize and the Jabuti Prize. In them, a series of diverse female figures have been portrayed. Her works discuss life dilemmas such as motherhood, professional career, social inequality, sexual desires, among others, that every modern woman is facing or will face in the future. This dissertation aims to analyze the female images proposed in Giovana Madalosso's three works - A Teta racional, Tudo pode Ser Roubado and Suíte Tóquio. In her fictional works, the author tries to create a universe of female characters, with the male characters occupying a secondary position. In order to understand how these female images were constructed, we will critically analyze different female characters based on four recurring themes in Madalosso's work: motherhood, vulnerability, identity and sexuality. The female characters who appear in these narratives challenge traditional social norms or show the patriarchal restrictions imposed on their existence. In order to better understand their condition and position, the analysis proposed in this work draws on the contributions of feminist theorists who have focused on the themes of motherhood, vulnerability, gender and sexuality, such as Simone de Beauvoir, Adrienne Rich, Judith Butler, Kate Millett and Julia Kristeva, among others.
Giovana Madalasso, born in Curitiba in 1975, is a contemporary Brazilian writer. Her works have been nominated several times for prestigious literary awards in Brazil: her debut book A Teta Racional was a finalist for the National Library Prize, her second book Tudo pode Ser Roubado was a finalist for the São Paulo Literature Prize, and her third work Suíte Tóquio was a finalist for both the São Paulo Prize and the Jabuti Prize. In them, a series of diverse female figures have been portrayed. Her works discuss life dilemmas such as motherhood, professional career, social inequality, sexual desires, among others, that every modern woman is facing or will face in the future. This dissertation aims to analyze the female images proposed in Giovana Madalosso's three works - A Teta racional, Tudo pode Ser Roubado and Suíte Tóquio. In her fictional works, the author tries to create a universe of female characters, with the male characters occupying a secondary position. In order to understand how these female images were constructed, we will critically analyze different female characters based on four recurring themes in Madalosso's work: motherhood, vulnerability, identity and sexuality. The female characters who appear in these narratives challenge traditional social norms or show the patriarchal restrictions imposed on their existence. In order to better understand their condition and position, the analysis proposed in this work draws on the contributions of feminist theorists who have focused on the themes of motherhood, vulnerability, gender and sexuality, such as Simone de Beauvoir, Adrienne Rich, Judith Butler, Kate Millett and Julia Kristeva, among others.