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A repetição como tempo e prática artística
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Orientador(es)
Resumo(s)
In the first part, after the circumscription of the theme of time and the perspective from which it is understood in the western tradition, it is made an analysis of the works of Jacques Derrida's La différance and La voix et le phénomène. Various concepts are examined, including the différance, retention, protention, the trace, the other and archi-writing, tracing the particular view of this author which operates (in the theme of time) in the line of thought of Heidegger, Levinas and Husserl. Afterwards it is highlighted the importance of repetition in artistic creation, relating it to the routine and giving as an example the Béla Tarr´s film, The Turin Horse, which is analyzed. In the second part it is presented the practical work of painting that was developed in parallel with this assay
Descrição
Palavras-chave
Tarr, Béla, 1955- Tempo Repetição Diferença Alteridade Práticas artísticas