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Reflexões sobre o vazio : um projeto editorial
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O presente projeto de investigação pretende analisar o conceito de vazio, através de uma abordagem comparativa entre as culturas oriental e ocidental. Considerando a complexidade deste conceito, bem como a sua resistência no Ocidente, o objetivo principal é a materialização artística de um conceito geralmente entendido como imaterial. A sua corporização culminou na criação de um livro de artista, onde a liberdade tipográfica oferecida pela poesia concreta demonstrou ser auxiliar na desconstrução visual do conceito de vazio, provando ser eficaz na sua comunicação e contribuindo para a sua transcendência. Neste âmbito, utilizou-se uma metodologia mista de base qualitativa. Estabeleceu-se o enquadramento teórico, através de uma crítica literária sobre o vazio no Oriente (na filosofia e na literatura, compreendendo o Budismo, Taoismo e a Escola de Quioto) e no Ocidente (na filosofia e na física), assim como uma revisão da poesia concreta. Procedeu-se ao estudo de casos, nos quais foram analisadas obras artísticas, associadas a possíveis materializações do conceito de vazio (música, pintura, instalação, fotografia e arte conceitual ou performativa). Seguiu-se o desenvolvimento projetual de um livro de artista, tipograficamente livre, auxiliar na corporização do vazio. Os resultados sintetizam, visualmente, as visões oriental e ocidental sobre o vazio, contribuindo para a divulgação e possível compreensão deste conceito nas artes gráficas e visuais.
This research project aims to analyse the concept of emptiness through a comparative approach between Eastern and Western cultures. Considering the complexiu of this concept, as well as its resistance in the West, the main objective is the artistic materialisation of a concept generally understood as imaterial. Its embodiment culminated in the creation of na artist's book, where the typographic freedom offered by concrete poetry proved to be helpful in the visual deconstruction of the concept of emptiness, proving effective in its communication and contributing to its transcendence. In this contexto, a qualitative-based mixed methodology was used. The theoretical framework was established through a literary critique of emptiness in the East (in philosophy and literature, including Buddhism, Taoism and the Kyoto School) and in te West (in philosophy and physics), as well as a review of concrete poetry. Case studies were carried out in which artistic works associated with possible materialisations of the concept of emptiness were analysed (music, painting, installation, photography and conceptual or performance art). This was followed by the development of an artist's book to embody emptiness. The results visually synthesise Easternand Western views of emptiness, contribuing to the dissemination and possible understanding of this concept in graphic and visual arts.
This research project aims to analyse the concept of emptiness through a comparative approach between Eastern and Western cultures. Considering the complexiu of this concept, as well as its resistance in the West, the main objective is the artistic materialisation of a concept generally understood as imaterial. Its embodiment culminated in the creation of na artist's book, where the typographic freedom offered by concrete poetry proved to be helpful in the visual deconstruction of the concept of emptiness, proving effective in its communication and contributing to its transcendence. In this contexto, a qualitative-based mixed methodology was used. The theoretical framework was established through a literary critique of emptiness in the East (in philosophy and literature, including Buddhism, Taoism and the Kyoto School) and in te West (in philosophy and physics), as well as a review of concrete poetry. Case studies were carried out in which artistic works associated with possible materialisations of the concept of emptiness were analysed (music, painting, installation, photography and conceptual or performance art). This was followed by the development of an artist's book to embody emptiness. The results visually synthesise Easternand Western views of emptiness, contribuing to the dissemination and possible understanding of this concept in graphic and visual arts.
Descrição
Dissertação de mestrado, Práticas Tipográficas e Editoriais contemporâneas, 2025, Universidade de Lisboa, Faculdade de Belas-Artes
Palavras-chave
Oriental nothingness Transcendence Western being Editorial design Concrete poetry Vazio oriental Transcendência Ser ocidental Design editorial Poesia concreta