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O documentário propositivo-relacional: investigação teórico-prática acerca da realização do documentário contemporâneo de carizes relacional, contextual e proposicional e o estudo da integração do outro em seu processo criativo
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The object of study of this thesis is limited to the production of documentaries made from the 2000s that present conceptual similarities with the relational, propositional, contextual and procedural aspects of contemporary visual and performing arts. Specifically, it aims to reflect on documentaries that have as their starting point the experience of an artistic proposition, a singular aspect of some films produced in the last two decades, prioritizing, in particular, the discussion on the integration of the other as a subject of the experience and constituent of the audiovisual work. In this sense, the following motivating questions for this research are highlighted: How did the reciprocity between these aspects anddocumentary cinema contribute to the production of films made in the aforementioned period, whose realization can be conceptually inserted in the theoretical horizon of contemporary visual and performing arts? What are the consequences of this conceptualapproach between visual arts and documentary cinema in respect of the methodological, ethical and aesthetic aspects of documentary production in recent decades? How was the process of contribution of the other established in these productions? What relationships exist between collaboration, participation and integration in these documentaries? What historical and artistic contexts have enabled the emergence of these achievements in that period? It is inferred, as a starting hypothesis, that a dialogical conjuncture between cinema and contemporary art potentiated the emergence of propositional and relational documentaries, which highlight other problems in relation to the creative process and the participation of the other in cinematographic realization. In order to reflect on these productions and those issues, a theoretical perspective is proposed, entitled propositionalrelational documentary, through which it is intended to problematize the methodological and ethical singularities and also to investigate the process of integration of the other in these productions. Simultaneously, seeking to reconcile theoretical production with authorial artistic creation, the process of making the documentary Progetto Venere is evident, pondering about the aforementioned issues and the relational procedures used to solve strictly cinematographic problems.
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Documentário Estética relacional Participação Coautoria Arte contemporânea Cinema