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Cinemar - participar, encontrar, transformar e re-existir : uma experiência coletiva em artes visuais, cinema e arquitetura
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The present work is an analysis of Cinemar, a multidisciplinary artistic experience that involves architecture, design, cinema and visual arts. The theoretical reflection dialogues with concepts from Claire Bishop, Hal Foster, Guy Debord and Walter Benjamin, raises issues related to participatory art and urban space in dialogue with the artistic works of Allan Sekula, Exyzt and Patrick Bouchain. Cinemar is a mobile cinema structure built by a multidisciplinary collective at the Antigo Presídio da Trafaria (Trafaria´s Old Prison) in October 2018. The structure provides a programmation presenting movies with themes related to the sea and fishing. It was designed to occupy the urban space and abandoned or deactivated spaces of fishing villages, with the objective of taking the sea to those who go to the cinema and taking cinema to those who go to the sea. The result is a collaborative and participative work of art that seeks to break the “active vs. passive” duality, by bringing artists and spectators together, and de-hierarchizing the relationships between them, establishing a horizontal relationship and a work practice resistant to the hegemonic artistic creation system.
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Bishop, Claire, 1971- Foster, Hal Debord, Guy, 1931-1994 Benjamin, Walter, 1892-1940 Sekula, Allan, 1951-2013 Bouchain, Patrik, 1945- EXYZT Artes visuais Multidisciplinaridade Cinema Arquitetura Arte participativa Colaboracionismo Autoria coletiva