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O redondo, o interior e o exterior : materializações do desejo na escultura monumento "Tocar o Sol", de Quintino Sebastião

dc.contributor.authorCirillo, Aparecido José
dc.date.accessioned2019-06-11T16:32:51Z
dc.date.available2019-06-11T16:32:51Z
dc.date.issued2016-04
dc.description.abstractThis article looks at the documents the artist Quintino Sebastião (1940), which refers to the initial image of the public art piece “Touch the Sun”, 2001. We identified, in 148 sketchbooks, some of his thought about his intentions and choices to the project. The image (Round) reveals an artist’s tendency to the women body sensuality, and seems to follow the rounded shape of female breasts. The study focuses on the process of critical and inferential criticism; beyond the phenomenology of the round and the dialectics of outside and insidept_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationIn: :Estúdio. - Lisboa, 2010. - Vol. 7 nº14 (abr./jun. 2016), p. 54-63pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/38584
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artespt_PT
dc.subjectSebastião, Quintino, 1940-pt_PT
dc.subjectArte contemporânea - Brasilpt_PT
dc.subjectArte públicapt_PT
dc.subjectEsculturapt_PT
dc.subjectCriação artísticapt_PT
dc.subjectCrítica e interpretaçãopt_PT
dc.subjectEnsaiospt_PT
dc.titleO redondo, o interior e o exterior : materializações do desejo na escultura monumento "Tocar o Sol", de Quintino Sebastiãopt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage63pt_PT
oaire.citation.startPage54pt_PT
oaire.citation.title:Estúdiopt_PT
oaire.citation.volumeVol. 7 nº14 (abr./jun. 2016)pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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