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Da teatralidade ao simulacro : a condição empática do espectador
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Resumo(s)
This dissertation aims to understand the relationship between the work of art and the beholder. The very existence of this relationship is the reason why there is a possibility of creating simulacra. Theatricality is a characteristic of an artistic object, which isn’t necessarily spectacular. Simulacra exist because of this theatrical nature of the work of art, which depends on a space and time experience. There are several degrees of spectator interaction in this experience: absorption and game; empathetic imagination and commotion; desire and transgression. The space/time between the individual and the work of art is diluted, generating substitution processes that incite the spectator’s identification with the object. The artistic creation becomes a theatrum mundi in which making a distinction of reality becomes something diffuse
Descrição
Palavras-chave
Teatralidade Pintura Ilusão Simulação Absorção História da arte