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Terra onde nunca estive : inconsciente e criação

2018-07-07Dissertação de mestrado Acesso aberto
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datacite.subject.fosPinturapt_PT
dc.contributor.advisorVidal, Carlos, 1964-
dc.contributor.authorCarmo, Lúcia Orlanda Andrade do, 1993-
dc.date.accessioned2018-09-20T11:23:19Z
dc.date.available2018-09-20T11:23:19Z
dc.date.issued2018-07-07
dc.date.submitted2018-09-20
dc.description.abstractIn this dissertation I took as a guiding principle the anti-objectuality to investigate the conceptual and plastic motivations of my artistic work. Earth where I have never been: Unconscious and creation is the starting point for an investigation of the Point as the absence / presence of language, as well as the immateriality of the sound that the point causes: silence. The space, real or fictional where the point materializes, through thought, the creation of a new (inner) world. I analyze the inexistence of logic, narrative, irritability, melancholy in the contemporary artistic context, aiming at its transdiciplinarity that goes not only through painting, but also through literature, installation, theater and even music; and its relevance, reflecting on the anxiety, disorganization, and creative awakening of these three events: unconscious, creation, and fiction. My plastic work is a reflection of these concerns and is the materialization of an imaginary / primary / ritualistic space, becoming real through my installationpt_PT
dc.identifier.tid201950774pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/34825
dc.language.isoporpt_PT
dc.subjectPinturapt_PT
dc.subjectPontopt_PT
dc.subjectCriaçãopt_PT
dc.subjectSagradopt_PT
dc.subjectAnti-objectualidadept_PT
dc.titleTerra onde nunca estive : inconsciente e criaçãopt_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameTese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2018pt_PT

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