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Richard Wagner: leitmotiv e música dramática

dc.contributor.authorSousa, Elisabete M. de
dc.date.accessioned2016-07-03T10:51:40Z
dc.date.available2016-07-03T10:51:40Z
dc.date.issued2010-11
dc.description.abstractThe present essay presents the content of the landmarks that punctuate the long dialogue between verbal language and musical language during the 19th century, by means of examples taken from the critical and theoretical writings of Hector Berlioz, Robert Schumann and Richard Wagner. In the search for the dramatic essence of music, such dialogue took different forms: the possibility of verbal language being translated by musical language, the pre-existence of a musical-poetic idea in any musical composition, eventually contributing to the appearance of program music, and finally, the principles presiding over Wagner’s Gesamtkunstwerk. Special emphasis is given to Richard Wagner’s Parisian article De l’Ouverture (1841), as well as to the impact on Søren Kierkegaard.pt_PT
dc.identifier.citationSousa, Elisabete M. de, "Richard Wagner: leitmotiv e música dramática", Philosophica 36 (Novembro 2010): 25-44.pt_PT
dc.identifier.issn0872-4784
dc.identifier.urihttp://hdl.handle.net/10451/24220
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherEdições Colibri / Departamento de Filosofia da Faculdade de Letras da Universidade de Lisboapt_PT
dc.relation.publisherversionhttp://revistaphilosophica.weebly.com/2010.htmlpt_PT
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/pt_PT
dc.subjectFilosofiapt_PT
dc.subjectKierkegaard, Soren, 1813-1855 - Crítica e interpretaçãopt_PT
dc.subjectWagnerpt_PT
dc.subjectMúsicapt_PT
dc.titleRichard Wagner: leitmotiv e música dramáticapt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.conferencePlaceLisboapt_PT
oaire.citation.endPage44pt_PT
oaire.citation.startPage25pt_PT
oaire.citation.titlePhilosophica - O som e a corpt_PT
oaire.citation.volume36pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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