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Xerazade e os Outros, de Fernanda Botelho:Modernismo tardio e a dialéctica entre a forma e o conteúdo inassimilável
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A análise das características formalmente inovadoras do romance Xerazade e os Outros, de Fernanda Botelho – uma das obras que, publicadas nas décadas de 50 e 60 do século XX, ajudaram a afastar definitivamente o romance português da sua herança oitocentista – revela a utilização de técnicas narrativas que permitem a sua inclusão no vasto cânone modernista. Considerando as propostas que, a nível internacional, sugerem a delimitação de um período específico referente à literatura produzidas entre as décadas de 1950 e 1970, o presente texto propõe que se encare a obra de Fernanda Botelho como representante do modernismo tardio, nomeadamente dado o desdobramento narrativo instituído no cerne da obra, manifestação de uma dialéctica entre a forma e o conteúdo inassimilável que autores como Fredric Jameson consideram a principal marca do período.
The analysis of the formally innovative features of Fernanda Botelho’s Xerazade e os Outros – one of several works published in the 1950’s and 1960’s that helped overcome the influence of the nineteenth-century novel in contemporary Portuguese fiction – reveals the use of narrative techniques that allow its inclusion in the vast modernist canon. By considering the proposals that, at an international level, suggest the delimitation of a specific period encompassing the literature produced between the 1950’s and 1970s, the present text proposes that Fernando Botelho’s work be viewed as a representative of late modernism, namely due to the multifaceted unfolding of the narrative voice present at its core, a manifestation of a dialectic between aesthetic form and a non-assimilable content that authors such as Fredric Jameson consider the main characteristic of the period.
The analysis of the formally innovative features of Fernanda Botelho’s Xerazade e os Outros – one of several works published in the 1950’s and 1960’s that helped overcome the influence of the nineteenth-century novel in contemporary Portuguese fiction – reveals the use of narrative techniques that allow its inclusion in the vast modernist canon. By considering the proposals that, at an international level, suggest the delimitation of a specific period encompassing the literature produced between the 1950’s and 1970s, the present text proposes that Fernando Botelho’s work be viewed as a representative of late modernism, namely due to the multifaceted unfolding of the narrative voice present at its core, a manifestation of a dialectic between aesthetic form and a non-assimilable content that authors such as Fredric Jameson consider the main characteristic of the period.
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Botelho, Fernanda, 1926-2007. Xerazade e os outros Modernismo tardio Literatura portuguesa - séc.20 Periodização