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Projeto de investigação
Novo: Reading Rio de Janeiro through Palestinian Lens: Artistic Practices Confronting the Politics of Inclusive Exclusion Antigo: Representing violence, building identities. Brazilian peripheries meet Palestine
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Narrative and performative decolonial practices in literary festivals : for a comparative analysis of Festa Literária das Periferias (FLUP) and Palestine Festival of Literature (PalFest)
Publication . Fracalanza, Laura; Araújo, Susana Isabel Arsénio Nunes Costa; Martínez Teixeiro, Alva; Vecchi, Roberto
This thesis is dedicated to the study of literary festivals, recognized as a widespread social and
cultural phenomenon. In particular, it examines how this type of event has been organized in two
different contexts with decolonial aims, namely in a Brazilian metropolis and in historical Palestine.
The festivals in focus are FLUP, the Rio de Janeiro-based Festa Literária das Periferias, running since
2012, and PalFest, the Palestine-based Palestine Festival of Literature, running since 2008. The events,
despite their differences, share a strong activist nature and overtly aim at combining literary
discussions with political practices here addressed as “decolonial”. The objective of this research
is at the same time to look at each festival individually, questioning how they reflect the dynamics
in place in their respective literary fields, and to examine how their practices intersect and differ.
As far as its structure is concerned, the thesis aims at creating a journey which moves across the
festivals, the territories where they are organized, and the literary publications resulting from the
events. It starts with a reflection on what festivals are, and how literary festivals can be studied; it
then surveys the references that contributed to tracing the dialogue between a Palestinian and a
Brazilian cultural event, before analyzing each festival in more depth; finally, it provides a
comparative reading of two anthologies edited by the festivals’ organizers. Since both festivals give
great importance to the act of moving through territories that are severely fragmented along
colonial and/or socioeconomical divides – FLUP changes its location around the city of Rio de
Janeiro every year, while PalFest travels across different cities in historical Palestine during the
festival week –, this literary analysis is dedicated to the ways the festivals’ mobility is translated and
represented in their respective published literature. Thus, FLUP’s anthology of short stories Eu me
chamo Rio (2015), edited by Julio Ludemir and Ecio Salles, and PalFest’s tenth anniversary anthology
This is Not a Border (2017), edited by Ahdaf Soueif and Omar Robert Hamilton, are read together
around the representation of a common topic in each: the collective means of transport, such as
the bus, that allows authors and/or characters to travel across the same territories where the
festivals organize their activities.
Unidades organizacionais
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Financiadores
Entidade financiadora
Fundação para a Ciência e a Tecnologia
Programa de financiamento
OE
Número da atribuição
COVID/BD/152002/2021
