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Entrevista com Daniel Alves (Laboratório de Humanidades Digitais, Universidade Nova de Lisboa), por Santiago Pérez Isasi

Publication . Isasi, Santiago Pérez; Alves, Daniel

Daniel Alves é Professor Auxiliar no Departamento de História da Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa, e investigador do Instituto de História Contemporânea. É, também, o coordenador do Laboratório de Humanidades Digitais, sem dúvida um dos centros de referência das HD em Portugal. Nesta Faculdade organizou-se, em 2015, a primeira e, até a data, última conferência de Humanidades Digitais em Portugal. Na sua longa relação com as HD, o professor Daniel Alves especializou-se na área dos SIG históricos, com diversos projetos de cartografia digital tal como o Atlas das paisagens literárias de Portugal continental; ainda nesta área, co-organizou a conferência internacional Spatial Humanities 2022. É consultor da infraestrutura ROSSIO, financiada pela Fundação para a Ciência e a Tecnologia, para a recuperação e difusão do património artístico e cultural português. É, ainda, o coordenador da plataforma formativa Programming Historian em Português, e editor da International Journal of Humanities and Arts Computing.

2023-06Journal article

Open access

Interview with Andreas Fickers (Luxembourg Centre for Contemporary and Digital History), by Santiago Pérez Isasi

Publication . Isasi, Santiago Pérez; Fickers, Andreas

Andreas Fickers is Professor for Contemporary and Digital History at the University of Luxembourg and the Director of the Luxembourg Centre for Contemporary and Digital History (C²DH), 3rd interdisciplinary center at the University of Luxembourg and head of its Digital History Lab. He's also prinicipal investigator of several projects such as Popkult60 (Populärkultur transnational - Europa in den langen 1960er Jahren) or LuxTime (Luxembourg Time Machine). Prof. Fickers focused on the hermeneutical foundations of Media and Television Studies, in publications such as Communicating Europe: Technologies, Information, Events, before shifting his main interest to Digital History and Digital Humanities. Currently, he is the editor of the Journal of Digital History and co-editor of the book series Studies in Digital History and Hermeneutics published by De Gruyter Oldenbourg.

2023-06Journal article

Open access

Introdução. Humanidades digitais e diversidade cultural: aproximações críticas e comparativas

Publication . Isasi, Santiago Pérez; Murrieta-Flores, Patricia

Introdução ao número 3 da revista Compendium, número dedicado a "Humanidades Digitais e Diversidade Cultural: Aproximações Críticas e Comparativas".

2023-06Journal article

Open access

Introduction. Thresholds: a manifold space

Publication . Masi, Jacopo

In 2018, within the framework of a long-standing and fruitful collaboration between the Centre for Classical Studies and the Centre for Comparative Studies of the University of Lisbon, we organized an international conference on the topic of “thresholds in literature and the arts”. The call for papers for this volume followed a few months later. The essays that the reader finds here represent a fraction of the proposals we received, selected through double-blind peer reviews. What triggered this double initiative – the conference and the volume – was the desire to explore the density and breadth of the notion of the threshold by addressing it from different perspectives, bringing together researchers from different areas – areas of research but also geographical areas – and with different methodologies. Undoubtedly we were also lured, at least at the beginning, by the naive hope – an unavowed wishful thinking, if you prefer – of working out a clear-cut definition of what a threshold is. And yet, we were also, or quickly became, aware that the question “what is a threshold?” is far more complex and difficult to answer that it may seem. This critical introduction to the volume emphasizes two crucial, closely intertwined, features of our project, one concerning the main theme, the other concerning its editorial development and final outcome. As far as the first aspect is concerned, the strong symbolical charge of the threshold, combined with the variety of its manifestations, its multifaceted nature and even its essential ambiguities, makes it a ubiquitous motif and a useful prism through which delve into, and compare, different cultures and forms of art. At the same time, the richness and semantic stratification of the threshold, in the context of a multidisciplinary publication such as this one, materializes in an extremely broad and elaborate pattern of echoes and connections: each essay can be read in association with several others, depending on the reader’s perspective and main interests, and every combination will help to cast light on a particular facet of our theme. The thematic groups and discussion of this long introduction seek to highlight some of these connections and some of the question they raise. We are confident that the reader will find plenty of other intriguing paths that unfold from these thresholds.

2024-09Book part

Embargoed access