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- A Palavra e a ImagemPublication . Sousa, Alcinda Pinheiro de, 1952-; Correia, Alda Maria, 1957-; Malafaia, Maria Teresa, 1951-Num quadro teórico-crítico, influenciado por teorias contemporâneas de classe, género e etnia, vamos considerar os confrontos entre culturas, materializados em diversas práticas discursivas e visuais, que estudaremos transdisciplinarmente, numa perspectiva formal e como documentos. São exemplos das referidas práticas, por um lado, a escrita jornalística, que as novas tecnologias estão a desenvolver exponencialmente, a ensaística, o conto, o relato de viagem e biográfico, o romance, o poema, o drama e, por outro lado, as múltiplas imagens em suporte digital, o design, a fotografia, o vídeo, o cinema, a arquitectura, a gravura. Os ensaios publicados avaliam os estudos da palavra, ou da imagem visual, ou das formas diferentes como elas interagem, em relação a temas cronologicamente localizados entre o século XVIII e o século XXI.
- Os prazeres da imaginaçãoPublication . Addison, Joseph, 1672-1719; Sousa, Alcinda Pinheiro de, 1952-
- English Literature in the World : From Manuscript to DigitalPublication . Sousa, Alcinda; Correia, Alda; Varandas, Angélica; Relvas, Maria de Jesus C.
- Libraries and Canon-Formation: the Case of English in the Collections of the Library of the Faculty of Humanities, Lisbon UniversityPublication . Sousa, Alcinda; Estácio, Pedro; Santos, FernandaAbstract: The project for researching the role played by libraries in canon-formation (namely through their policies regarding the creation, organization, preservation, and utilization of the collections) will be presented and discussed. We selected the Library of the Faculty of Humanities, Lisbon University, a modern academic library, created in 1859, by royal decree of D. Pedro V, following his canonical choice. Actually, the two contemporary rulers of new Britannia— Prince Albert, his cousin, and Queen Victoria—held this king in high consideration for his outstanding contribution to Portuguese modernisation. Representing various fields of study, the collections were decisive to canon-formation in the Faculty of Humanities. Thus, we have been trying to answer the following questions: who has been creating, organizing, preserving, and utilizing the collections, from the mid-nineteenth century onwards? When, where and how? Presently, we are studying the collections in English, namely the works belonging or referring to the long nineteenth century. Richard Garnett’s “The International Library of Famous Literature” (London, 1899) is our first case-study. The anthology determined the Western literary, cultural and visual canon at the turning of the century, as evidenced by comparing it to the Portuguese and Spanish editions, published at the beginning of the twentieth century.
- Portuguese readings of William Blake: Fernando Pessoa, a national poet, and Três Tristes Tigres, a pop-rock bandPublication . Sousa, Alcinda; Callixto, João Carlos; Franco Souza, Cláudia