Browsing by Issue Date, starting with "2017-03"
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- Invasão e espreita nos sistemas poéticos de Márcia BragaPublication . Camargo, Carlos Augusto NunesThis article discusses the installation “Eat the book” (2014) and the object “This body was once mine” (2015) by Márcia Braga. It problematizes the proposed relational structures and reveals, in the exhibition space, the intimacy of the artist ‘s daily life and memory, the operational processes and concepts that have shaped her practice and her desire of the other’s participation
- La zona limítrofe en la pintura de Rubén GuerreroPublication . Serrano León, DavidRubén Guerrero’s (Utrera, 1976) pictorial work offers a constant review of the essential fundamentals of the painting, paying special attention to the process, the practice of the painting as motive of reflection. It poses a dispute between two-dimensionality and three-dimensionality, figuration and abstraction, denial of the background and the figure, and reality and fiction. Traditionally, conflicting dualities that dialogue and support themselves create a new conceptual space: the bordering area
- A fotografia, o vivo, o ausente, o agora : a produção da artista brasileira Sofia BorgesPublication . Tacca, Paula C. D. CabralThis article aims to present and analyze the essence of the Brazilian artist Sofia Borges ‘s production, in an attempt to open to the reader possibilities of entry into a deep and dense photographic set which is born and develops from the artist’ s own questions about the existence, about representation, about the voids, about being and about the photographic image. This analysis has as its starting point and support, the artist’s book, The Swamp, released last year, which brings a synthesis of her research and her artistic production
- Duas narrativas para o meu país nos painéis de Almada NegreirosPublication . Tavares, Cristina Azevedo, 1956-
- Híbridos na construção do imaginário de Micaela Trocello : narrativa, performance, fotografia e gravuraPublication . Kanaan, Helena, 1961-In the continuity of the narrative that reads and listens to tell, the artist performs merging the own corporeity, soon after, to fix it in the exercise of the photo / graphic pause. Stimulated by temporal extensions of the image in the use of photography and matrix modes of recording and printing, Micaela Trocello’s work proposes an understanding of the feminine in history and in the present day. Captured images, transfers and proliferations. The body, the marks, the insurgency
- El jardín durmiente de Sabine FinkenauerPublication . Escuder Viruete, JoaquínThe visual artist based in Barcelona, Sabine Finkenauer, shows us the possibility of generating new images from a discourse that comes from simplicity and calm, through a pictorial practice that reconsiders the iconography of the historical avant-gardes. Through essential, synthetic structures of the language of abstraction, he describes motives of the infantile world, femininity and kitch; to set up a silent universe, a climate full of sensitivity, autobiographical, between irony, discretion and vital joy
- Cuentos, capturando la inocencia y crueldad de los cuentos de hadas : Sonya HurtadoPublication . Algibez, LauraThis communication is a proposal to study in deep the photographic work ‘Tales’ as a digital art by the artist Sonya Hurtado. This would take us to a visual exploration and analysis of the imaginary world of childhood. The approach to the study of Hurtado’s work would be focusing in two points: first it will consider the context of fairy tales and children’s stories’ narratives and how they are transformed into a visual language and the second to focus in the photographic process to create a unique visual narrative that allows her to share and present to the public in an intelligent and sensible way the popular fairytales
- O feminino entre a imagem e o texto na obra de Alice GeirinhasPublication . Silva, Hallisson Júnior daThis paper discusses the work of the artist Alice Geirinhas from three interrelated points: written text and drawn image; the approach of the feminine through these elements at different moments of her work; and the autobiographical art research developed in her PhD thesis. What is perceived is a convergence of distinct factors that find in her artist’s book Visual Manifesto (2016) a singular expression of the relation between image and text
- Arte pública e políticaPublication . Cruzeiro, Cristina Pratas
- Significado de arte urbana, Lisboa 2008-2014Publication . Neves, Pedro Soares