Browsing by Author "Di Brita, Tania"
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- SAUC - Street art & urban creativity scientific journal, vol.4, nº2 (Nov. 2018)Publication . Neves, Pedro Soares; Kramer, Ronald; Crumpton, Alicia; Shank, Will; Di Brita, Tania; Myllylä, Mari; Baltrusch, Burghard; Stampoulidis, Georgios; Bitouni, Tina; Tsiropinas, Paris Xyntarianos; Piriankov, Katarzyna; Carmo, Letícia Cabeçadas do; Pattaroni, Luca; Ross, Jeffrey Ian; Bianco, Egídio Emiliano; Bhasin, Aparajita; Flynn, Danny; Carter, Marina; Plosky, Anton; Hoppe, Ilaria; Neves, Rafael; Raes, Evy“Changing times: Resilience” gather contributions about Resilience and adaptability through institutionalization, formal aesthetic shift , Graffiti as a Palimpsest, Framing Poetical Expression, Poetic Objects in Public Space. Geographically framed approached as The “black-and-white mural” in Polytechneio in Athens, The Evolution of Street art and Graffiti in India, Shark Graffiti On Reunion Island Russia - Specifics of Periodization in Russian Street Art . Temporal overview looks upon: strategies for creating village identity symbols using street art tactics, The commodification of alternative cultural spaces, English Language Video Documentaries On Contemporary Graffiti And Street Art, A brief history of street art as a term up to 2000. And finaly an article review of Glaser, K., 2017. Street Art and New Media. And the invited contribution of OPNI Group - Grupo OPNI graffiti and urban violence in present-day Brazil.
- SAUC - Street art & urban creativity scientific journal, vol.5, nº2 (Nov. 2019)Publication . Neves, Pedro Soares; Di Brita, Tania; Rodrigues, Ana Augusto; Stampoulidis, Georgios; Pank, Julia Friederike; Calderón Aláez, Elena; Sabourin, Rachelle; Di Giacomo, Giovanna; Souza, Angela; Borriello, Luca; Filippi, MauroThe SAUC V5 Issue 2, “Desire Lines: Metaphorical” is about: The Disappearance/Virtualisation of Graffiti and Street Art – From Urban to Institutional to Virtual Space; Whose Wall is it Anyway? Using street art to navigate the private and the public in a community; Polysemiotic Communication vs. Multimodality: a conceptual and terminological distinction applied in street art; The Past in Public Space “Der Jahrhundertschritt”: A Lieu de Memoire As An Urban Intervention of Memory (2018); Zero Tolerance = 100 New Techniques Swedish / Nordic Street Art; Contextualizing graffiti and street art in suitable museum settings: Street Art Today’s upcoming museum in Amsterdam; There and Back Again: Redistributing Visibility between the Virtual and Real Alleys of Graffiti; From Post-Posters to Un gilet; Streetness & Inopinatum: the “sense of the street” and the “unexpected impertinence”. For a binary code in street art.; Street Art is dead. Again and again. Brief State of the (Urban) Art.