Machó, Óscar Padilla 1977-2019-05-222019-05-222018-01In: :Estúdio. - Lisboa, 2010. - Vol.9 nº21 (Jan./Mar. 2018), p. 149-156http://hdl.handle.net/10451/38371This article explores the relations that emerge from the works presented by Quim Cantalozella (Girona, 1972) at Objectes banals (Casa de la Paraula, Girona), one of his latest exhibitions, consisting of a pictorial proposal that, broadly speaking, deals with the latent symbology of things and objects, and their forgotten burden. This article seeks to relate what Cantalozella proposes in the exhibition with the concepts of aura and involuntary memory considered by Walter Benjamin, and later recovered by Georges Didi-HubermanspaCantalozella, Quim, 1972-PinturaRepresentação artísticaTeoria da arteCrítica e interpretaçãoEspanhaObjectes banals de Quim Cantalozella : una arqueologia allegòrica de la memòria involuntàriaQuim Cantalozella’s banal objects : an allegorical archaeology of the involuntary memoryjournal article