Ferrão, Hugo, 1954-2018-01-302018-01-302017-07In: Gama. - Lisboa, 2017-. - Vol. 5, nº10 (Jul./Dez. 2017), p. 120-129http://hdl.handle.net/10451/31246We intend to generate a set of intertexts that allow us to interpret a painting and two drawings by Miquel Quílez Bach (1944), works assumed as portraits, through which memories and constructive processes of the pictorial image are evoked, fundamentally from the Renaissance, “theatrical stage” that restores to the portrayed the symbolic and enigmatic density of his experience, seen through the painter’s gaze, intensifying the aesthetic experience that opens to the observer’s imaginationporBach, Miquel QuílezPinturaRetratoTeatroSimbologiaImaginárioEstéticaeoria da artePortugaljournal article