Pires, Lara Vanessa Casal2018-12-102018-12-102016-07In: Croma. - Lisboa, 2016-. - Vol. 4, nº 8 (Jul./Dez. 2016), p. 112-116http://hdl.handle.net/10451/35759The objects of analysis of this communication are the series of photo-figures “Crystal Girls” and “Peep” of Noe Sendas. For the reflection around the notion of discontinuity, that seems to be the principle of relational notion between photography and image, the starting point will be the arguments of Didi-Huberman in La ressemblance par contact – Archéologie, anachronisme et modernité de l'empreinte and of Susan Sontag in the collection “On Photography”porSendas, Noé, 1972-Didi-Huberman, Georges, 1953-Sontag, Susan, 1933-2004FotografiaImagemCriação artísticaTeoria da arteCriticismojournal article