Rauscher, Beatriz Basile da Silva2019-02-122019-02-122015-01In: Croma. - Lisboa, 2013-. - Vol. 3 nº5 (jan/jun. 2015), p. 141-146http://hdl.handle.net/10451/36960Supported on the Jacques Rancière “The paradoxes of political art" essay from 2010, this text aims to reflect on how the work "Vazadores" by Rubens Mano, created for the 25th São Paulo Bienal (2002) may also shed light on the socio-political bias project adopted by the 31st Bienal of São Paulo in 2014porMano, Rubens, 1960-ArquitecturaEspaço culturalPolíticaBienaisTeoria da arteCriticismojournal article