Gamito, Maria João, 1956-Nobre, Paula, 1971-2013-07-222013-07-222013http://hdl.handle.net/10451/8844Tese de mestrado, Arte Multimédia - Fotografia, Universidade de Lisboa, Faculdade de Belas Artes, 2013Lugares-comuns (Commonplaces) - Photography as a place of affection assumes that the subject freely articulates the signs that make up the social structures established, which it appropriates and manipulates (as if it were a semiologist), according to its emotional needs and whose production results in the existence of a place that gives meaning to its grip on reality. Once the house is set up as a refuge and place of intimacy, a family portrait of the “ways of doing” is shaped by everyday life which builds the relationships and actions that are established by the pleasures associated with the family group. The domestic practices related to cooking apply a series of inherited gestures, described and adapted, fleeting and uneventful, which, when captured by photographic device, reveal sensitive values to the commonly seen. The phantasmagoria of the photographic image is translated by stimulating the senses and sensations that turn everyday life into a manifestation of new spices, flavours and knowledge that give rise to the existence of a place of affection, embodied in Lugares-Comuns - Photography as a place of affection consisting of eight colour photographs of still lives and portraits that result in a family portraitAcompanhada de um 1 CD (Série fotográfica), catalogado separadamente, apenas consultável na Biblioteca da FBAUL : Cota CDA 131porFotografiaLugaresAfectosVida quotidianamaster thesis